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Performing place in French and Itali...

Brett, Oliver.

Performing place in French and Italian queer documentary filmspace and Proust's lieu factice /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Performing place in French and Italian queer documentary filmby Oliver Brett.
其他題名:	space and Proust's lieu factice /
作者:	Brett, Oliver.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	ix, 249 p. :ill., digital ;21 cm.
Contained By:	Springer eBooks
標題:	Documentary filmsHistory and criticism.France
電子資源:	https://doi.org/10.1007/978-3-319-96701-1
ISBN:	9783319967011$q(electronic bk.)

Performing place in French and Italian queer documentary filmspace and Proust's lieu factice /
Brett, Oliver.

Performing place in French and Italian queer documentary filmspace and Proust's lieu factice /[electronic resource] :by Oliver Brett. - Cham :Springer International Publishing :2018. - ix, 249 p. :ill., digital ;21 cm.

1. Contemporary queer cinema in France and Italy: undoing 'place' -- 2. Framing the 'lieu factice': shifting notions of documentary 'place' -- 3. Mourning 'place' -- 4. Forsaking 'place' -- 5. Intersecting 'place' -- 6. Conclusion.

This book explores the space of queer documentary through the modernist optic of Marcel Proust's 'lieu factice' (artificial place), a perspective that problematizes the location of place in a post-postmodern world with a dispersed sense of the real. The practice of queer documentary in France and Italy, from the beginning of the new millennium onwards, is seen to re-write the coherence of 'place' through a range of emerging queer realities. Proposing the post-queer as a way of contending with the spatial dynamics of these contexts, analysis of key texts positions place as mourned, conceded and intersectional. The performance of place as agency is considered through the notional film, the radical archive of documentary, the enactment of politics, queer indeterminacy and a phenomenology of the object, the frame and queer mobility. The central themes of family, gender, dis/location, in/visibility and re/presentation question blind investment in the integrity of being emplaced.

ISBN: 9783319967011$q(electronic bk.)

Standard No.: 10.1007/978-3-319-96701-1doiSubjects--Personal Names:

393097
Proust, Marcel,
1871-1922--Criticism and interpretation.Subjects--Topical Terms:

824778
Documentary films
--History and criticism.--France

LC Class. No.: PN1995.9.H55 / B74 2018

Dewey Class. No.: 791.43653

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520 $a This book explores the space of queer documentary through the modernist optic of Marcel Proust's 'lieu factice' (artificial place), a perspective that problematizes the location of place in a post-postmodern world with a dispersed sense of the real. The practice of queer documentary in France and Italy, from the beginning of the new millennium onwards, is seen to re-write the coherence of 'place' through a range of emerging queer realities. Proposing the post-queer as a way of contending with the spatial dynamics of these contexts, analysis of key texts positions place as mourned, conceded and intersectional. The performance of place as agency is considered through the notional film, the radical archive of documentary, the enactment of politics, queer indeterminacy and a phenomenology of the object, the frame and queer mobility. The central themes of family, gender, dis/location, in/visibility and re/presentation question blind investment in the integrity of being emplaced.
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