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Understanding the Eurovision Song Co...
~
(1998 :)
Understanding the Eurovision Song Contest in multicultural AustraliaWe Got Love /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Understanding the Eurovision Song Contest in multicultural Australiaby Jessica Carniel.
Reminder of title:
We Got Love /
Author:
Carniel, Jessica.
Published:
Cham :Springer International Publishing :2018.
Description:
v, 123 p. :digital ;22 cm.
Contained By:
Springer eBooks
Subject:
Popular musicCompetitionsEurope.
Online resource:
https://doi.org/10.1007/978-3-030-02315-7
ISBN:
9783030023157$q(electronic bk.)
Understanding the Eurovision Song Contest in multicultural AustraliaWe Got Love /
Carniel, Jessica.
Understanding the Eurovision Song Contest in multicultural Australia
We Got Love /[electronic resource] :by Jessica Carniel. - Cham :Springer International Publishing :2018. - v, 123 p. :digital ;22 cm.
Chapter 1 - Introduction -- Chapter 2 - A tale of two broadcasters: the EBU and SBS -- Chapter 3 - Aussie-fying Eurovision: local commentary as media interpolation -- Chapter 4 - Part of the party: celebrating Eurovision together -- Chapter 5 - 'We're a nation of proud multicultural dags': multiculturalism and viewer identities -- Chapter 6 - From Mr Eurovision to Australian Idols: Australian performances (and performing Australia) -- Chapter 7 - "Every region of the world should have a -Vision": Eurovision in the Asian century -- Chapter 8 - Epilogue.
This book presents the first in-depth study of the Eurovision Song Contest from an Australian perspective. Using a cultural studies approach, the study draws together fan interviews and surveys with media and textual analysis of the contest itself. In doing so, it begins to answer the question of why the European song contest appeals to viewers in Australia. It explores and challenges the dominant narrative that links Eurovision fandom to post-WWII European migration, arguing that this Eurocentric narrative presents a limited view of how contemporary Australian multicultural society operates in the context of globalized culture. It concludes with a consideration of the future of the Eurovision Song Contest as Australia enters into the 'Asian century'.
ISBN: 9783030023157$q(electronic bk.)
Standard No.: 10.1007/978-3-030-02315-7doiSubjects--Meeting Names:
194767
Amsterdam, Netherlands)1998 :(3rd :Subjects--Topical Terms:
824798
Popular music
--Competitions--Europe.
LC Class. No.: ML76.E87 / C37 2018
Dewey Class. No.: 782.421640794
Understanding the Eurovision Song Contest in multicultural AustraliaWe Got Love /
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Chapter 1 - Introduction -- Chapter 2 - A tale of two broadcasters: the EBU and SBS -- Chapter 3 - Aussie-fying Eurovision: local commentary as media interpolation -- Chapter 4 - Part of the party: celebrating Eurovision together -- Chapter 5 - 'We're a nation of proud multicultural dags': multiculturalism and viewer identities -- Chapter 6 - From Mr Eurovision to Australian Idols: Australian performances (and performing Australia) -- Chapter 7 - "Every region of the world should have a -Vision": Eurovision in the Asian century -- Chapter 8 - Epilogue.
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This book presents the first in-depth study of the Eurovision Song Contest from an Australian perspective. Using a cultural studies approach, the study draws together fan interviews and surveys with media and textual analysis of the contest itself. In doing so, it begins to answer the question of why the European song contest appeals to viewers in Australia. It explores and challenges the dominant narrative that links Eurovision fandom to post-WWII European migration, arguing that this Eurocentric narrative presents a limited view of how contemporary Australian multicultural society operates in the context of globalized culture. It concludes with a consideration of the future of the Eurovision Song Contest as Australia enters into the 'Asian century'.
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Literature, Cultural and Media Studies (Springer-41173)
based on 0 review(s)
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電子館藏
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EB ML76.E87 C289 2018 2018
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https://doi.org/10.1007/978-3-030-02315-7
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