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Theatre music and sound at the RSCMa...

Royal Shakespeare Company.

Theatre music and sound at the RSCMacbeth to Matilda /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Theatre music and sound at the RSCby Millie Taylor.
Reminder of title:	Macbeth to Matilda /
Author:	Taylor, Millie.
Published:	Cham :Springer International Publishing :2018.
Description:	xviii, 244 p. :ill., facsimiles, digital ;22 cm.
Contained By:	Springer eBooks
Subject:	MusicHistory and criticism.16th century
Online resource:	https://doi.org/10.1007/978-3-319-95222-2
ISBN:	9783319952222$q(electronic bk.)

Theatre music and sound at the RSCMacbeth to Matilda /
Taylor, Millie.

Theatre music and sound at the RSCMacbeth to Matilda /[electronic resource] :by Millie Taylor. - Cham :Springer International Publishing :2018. - xviii, 244 p. :ill., facsimiles, digital ;22 cm. - Palgrave studies in British musical theatre. - Palgrave studies in British musical theatre..

1. Musical Collaborations at the RSC -- 2. Collaborative Composition at the RSC -- 3. Electronics, Sound and Fury at the RSC -- 4. Theatre Music at the RSC -- 5. From Macbeth to Matilda at the RSC.

Shakespeare is a cultural icon whose works are steeped in music, but the revered Royal Shakespeare Company is located in Stratford-upon-Avon, far from the hustle and bustle of London's theatre scene. Yet it is here, in the Midlands, that an exciting laboratory has been developing the practice of theatre music composition and sound design since 1961. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare's plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre.

ISBN: 9783319952222$q(electronic bk.)

Standard No.: 10.1007/978-3-319-95222-2doiSubjects--Personal Names:

392937
Shakespeare, William,
1564-1616--Histories.Subjects--Corporate Names:

824813
Royal Shakespeare Company.
Subjects--Topical Terms:

824814
Music
--History and criticism.--16th century

LC Class. No.: ML80.S5 / T39 2018

Dewey Class. No.: 822.33

Theatre music and sound at the RSCMacbeth to Matilda /
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520 $a Shakespeare is a cultural icon whose works are steeped in music, but the revered Royal Shakespeare Company is located in Stratford-upon-Avon, far from the hustle and bustle of London's theatre scene. Yet it is here, in the Midlands, that an exciting laboratory has been developing the practice of theatre music composition and sound design since 1961. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare's plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre.
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