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EMI films and the limits of British ...

EMI (Firm)

EMI films and the limits of British cinema

Record Type:	Electronic resources : Monograph/item
Title/Author:	EMI films and the limits of British cinemaby Paul Moody.
Author:	Moody, Paul.
Published:	Cham :Springer International Publishing :2018.
Description:	x, 220 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Motion pictures, BritishHistory and criticism20th century.
Online resource:	https://doi.org/10.1007/978-3-319-94803-4
ISBN:	9783319948034$q(electronic bk.)

EMI films and the limits of British cinema
Moody, Paul.

EMI films and the limits of British cinema[electronic resource] /by Paul Moody. - Cham :Springer International Publishing :2018. - x, 220 p. :ill., digital ;22 cm.

1. Introduction -- 2. And Soon the Darkness -- 3. Elstree Falling -- 4. Mr Forbes and the Pen-Pushers -- 5. All the Way Up -- 6. The Likely Lad -- 7. Trick or Treat? -- 8. American Adventure -- 9. Honky-Tonk Filmmaking -- 10. Memoirs of a Survivor -- 11. Conclusion.

This book is the first of its kind to trace the development of one of the largest and most important companies in British cinema history, EMI Films. From 1969 to its eventual demise in 1986, EMI would produce many of the key works of seventies and eighties British cinema, ranging from popular family dramas like The Railway Children (Lionel Jeffries, 1970) through to critically acclaimed arthouse successes like Britannia Hospital (Lindsay Anderson, 1982) However, EMI's role in these productions has been recorded only marginally, as footnotes in general histories of British cinema. The reasons for this critical neglect raise important questions about the processes involved in the creation of cultural canons and the definition of national culture. This book argues that EMI's amorphous nature as a transnational film company has led to its omission from this history and makes it an ideal subject to explore the 'limits' of British cinema.

ISBN: 9783319948034$q(electronic bk.)

Standard No.: 10.1007/978-3-319-94803-4doiSubjects--Corporate Names:

824822
EMI (Firm)
Subjects--Topical Terms:

824823
Motion pictures, British
--History and criticism--20th century.

LC Class. No.: PN1993.5.G7 / M66 2018

Dewey Class. No.: 791.430941

EMI films and the limits of British cinema
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100 1 $a Moody, Paul. $3 824821
245 1 0 $a EMI films and the limits of British cinema $h [electronic resource] / $c by Paul Moody.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a x, 220 p. : $b ill., digital ; $c 22 cm.
505 0 $a 1. Introduction -- 2. And Soon the Darkness -- 3. Elstree Falling -- 4. Mr Forbes and the Pen-Pushers -- 5. All the Way Up -- 6. The Likely Lad -- 7. Trick or Treat? -- 8. American Adventure -- 9. Honky-Tonk Filmmaking -- 10. Memoirs of a Survivor -- 11. Conclusion.
520 $a This book is the first of its kind to trace the development of one of the largest and most important companies in British cinema history, EMI Films. From 1969 to its eventual demise in 1986, EMI would produce many of the key works of seventies and eighties British cinema, ranging from popular family dramas like The Railway Children (Lionel Jeffries, 1970) through to critically acclaimed arthouse successes like Britannia Hospital (Lindsay Anderson, 1982) However, EMI's role in these productions has been recorded only marginally, as footnotes in general histories of British cinema. The reasons for this critical neglect raise important questions about the processes involved in the creation of cultural canons and the definition of national culture. This book argues that EMI's amorphous nature as a transnational film company has led to its omission from this history and makes it an ideal subject to explore the 'limits' of British cinema.
610 2 0 $a EMI (Firm) $3 824822
650 0 $a Motion pictures, British $x History and criticism $y 20th century. $3 824823
650 1 4 $a British Cinema. $3 747878
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856 4 0 $u https://doi.org/10.1007/978-3-319-94803-4
950 $a Literature, Cultural and Media Studies (Springer-41173)