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A phenomenology of musical absorption

Hoffding, Simon.

A phenomenology of musical absorption

Record Type:	Electronic resources : Monograph/item
Title/Author:	A phenomenology of musical absorptionby Simon Hoffding.
Author:	Hoffding, Simon.
Published:	Cham :Springer International Publishing :2018.
Description:	xxii, 282 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	MusicPerformance
Online resource:	https://doi.org/10.1007/978-3-030-00659-4
ISBN:	9783030006594$q(electronic bk.)

A phenomenology of musical absorption
Hoffding, Simon.

A phenomenology of musical absorption[electronic resource] /by Simon Hoffding. - Cham :Springer International Publishing :2018. - xxii, 282 p. :ill., digital ;24 cm. - New directions in philosophy and cognitive science. - New directions in philosophy and cognitive science..

Chapter 1. Introduction -- Part I: Meeting the Danish String Quartet -- Chapter 2. How Should We Study Musical Absorption? The Phenomenological Interview -- Chapter 3. From Ragdoll to Battle Commander: The Experience of Musical Absorption -- Chapter 4. A Topography of Muscial Absorption -- Part II: Comparative Perspectives -- Chapter 5. Expertise, Mind Wandering, and Amnesia -- Chapter 6. Artistic and Aesthetic Experience -- Chapter 7. Flow -- Chapter 8. Dreaming and Sleeping -- Chapter 9. Schizophrenia and Ipseity Disturbances -- Part III. Phenomenological Underpinnings of the Musically Extended Mind -- Chapter 10. Performative Passivity -- Chapter 11. The Hive Mind: Playing Together -- Chapter 12.Conclusions.

ISBN: 9783030006594$q(electronic bk.)

Standard No.: 10.1007/978-3-030-00659-4doiSubjects--Topical Terms:

826090
Music
--Performance

LC Class. No.: ML3800 / .H62 2018

Dewey Class. No.: 781.17

A phenomenology of musical absorption
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245 1 2 $a A phenomenology of musical absorption $h [electronic resource] / $c by Simon Hoffding.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a xxii, 282 p. : $b ill., digital ; $c 24 cm.
490 1 $a New directions in philosophy and cognitive science
505 0 $a Chapter 1. Introduction -- Part I: Meeting the Danish String Quartet -- Chapter 2. How Should We Study Musical Absorption? The Phenomenological Interview -- Chapter 3. From Ragdoll to Battle Commander: The Experience of Musical Absorption -- Chapter 4. A Topography of Muscial Absorption -- Part II: Comparative Perspectives -- Chapter 5. Expertise, Mind Wandering, and Amnesia -- Chapter 6. Artistic and Aesthetic Experience -- Chapter 7. Flow -- Chapter 8. Dreaming and Sleeping -- Chapter 9. Schizophrenia and Ipseity Disturbances -- Part III. Phenomenological Underpinnings of the Musically Extended Mind -- Chapter 10. Performative Passivity -- Chapter 11. The Hive Mind: Playing Together -- Chapter 12.Conclusions.
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