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Marina Carrpastures of the unknown /
~
Carr, Marina, (1964-)
Marina Carrpastures of the unknown /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Marina Carrby Melissa Sihra.
Reminder of title:
pastures of the unknown /
Author:
Sihra, Melissa.
Published:
Cham :Springer International Publishing :2018.
Description:
xiv, 303 p. :ill., digital ;21 cm.
Contained By:
Springer eBooks
Subject:
English dramaIrish authors
Online resource:
https://doi.org/10.1007/978-3-319-98331-8
ISBN:
9783319983318$q(electronic bk.)
Marina Carrpastures of the unknown /
Sihra, Melissa.
Marina Carr
pastures of the unknown /[electronic resource] :by Melissa Sihra. - Cham :Springer International Publishing :2018. - xiv, 303 p. :ill., digital ;21 cm.
This book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. The creative vision of Lady Augusta Gregory underpins the analysis of Carr's dramatic vision throughout the volume in order to re-situate the woman artist as central to Irish theatre. For Carr, 'writing is more about the things you cannot understand than the things you can', and her evocation of 'pastures of the unknown' forms the thematic through-line of this work. Lady Gregory's plays offer an intuitive lineage with Carr which can be identified in their use of language, myth, landscape, women, the transformative power of storytelling and infinite energies of nature and the Otherworld. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.
ISBN: 9783319983318$q(electronic bk.)
Standard No.: 10.1007/978-3-319-98331-8doiSubjects--Personal Names:
826552
Carr, Marina,
1964---Criticism and interpretation.Subjects--Topical Terms:
177497
English drama
--Irish authors
LC Class. No.: PR6053.A6944
Dewey Class. No.: 822.92
Marina Carrpastures of the unknown /
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pastures of the unknown /
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by Melissa Sihra.
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2018.
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This book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. The creative vision of Lady Augusta Gregory underpins the analysis of Carr's dramatic vision throughout the volume in order to re-situate the woman artist as central to Irish theatre. For Carr, 'writing is more about the things you cannot understand than the things you can', and her evocation of 'pastures of the unknown' forms the thematic through-line of this work. Lady Gregory's plays offer an intuitive lineage with Carr which can be identified in their use of language, myth, landscape, women, the transformative power of storytelling and infinite energies of nature and the Otherworld. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.
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1852-1932
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Literature, Cultural and Media Studies (Springer-41173)
based on 0 review(s)
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電子館藏
Items
1 records • Pages 1 •
1
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000000163559
電子館藏
1圖書
電子書
EB PR6053.A6944 S579 2018 2018
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0
1 records • Pages 1 •
1
Multimedia
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https://doi.org/10.1007/978-3-319-98331-8
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