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Gender and the nuclear family in twe...

Jackson, Kimberly.

Gender and the nuclear family in twenty-first century horror

Record Type:	Electronic resources : Monograph/item
Title/Author:	Gender and the nuclear family in twenty-first century horrorby Kimberly Jackson.
Author:	Jackson, Kimberly.
Published:	New York :Palgrave Macmillan US :2016.
Description:	ix, 218 p. :ill., digital ;23 cm.
Contained By:	Springer eBooks
Subject:	Horror filmsHistory and criticism.United States
Online resource:	https://doi.org/10.1057/9781137532756
ISBN:	9781137532756$q(electronic bk.)

Gender and the nuclear family in twenty-first century horror
Jackson, Kimberly.

Gender and the nuclear family in twenty-first century horror[electronic resource] /by Kimberly Jackson. - New York :Palgrave Macmillan US :2016. - ix, 218 p. :ill., digital ;23 cm.

Gender and the Nuclear Family in Twenty-First-Century Horror is the first book-length project to focus specifically on the ways that patriarchal decline and post-feminist ideology are portrayed in popular American horror films of the twenty-first century. Through analyses of such films as Orphan, Insidious, and Carrie, Kimberly Jackson reveals how the destruction of male figures and depictions of female monstrosity in twenty-first-century horror cinema suggest that contemporary American culture finds itself at a cultural standstill between a post-patriarchal society and post-feminist ideology.

ISBN: 9781137532756$q(electronic bk.)

Standard No.: 10.1057/9781137532756doiSubjects--Topical Terms:

619853
Horror films
--History and criticism.--United States

LC Class. No.: PN1995.9.H6 / J25 2016

Dewey Class. No.: 791.436164

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520 $a Gender and the Nuclear Family in Twenty-First-Century Horror is the first book-length project to focus specifically on the ways that patriarchal decline and post-feminist ideology are portrayed in popular American horror films of the twenty-first century. Through analyses of such films as Orphan, Insidious, and Carrie, Kimberly Jackson reveals how the destruction of male figures and depictions of female monstrosity in twenty-first-century horror cinema suggest that contemporary American culture finds itself at a cultural standstill between a post-patriarchal society and post-feminist ideology.
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