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Emotions in contemporary TV series

Garcia, Alberto N.

Emotions in contemporary TV series

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Emotions in contemporary TV seriesedited by Alberto N. Garcia.
其他作者:	Garcia, Alberto N.
出版者:	London :Palgrave Macmillan UK :2016.
面頁冊數:	xi, 253 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Emotions on television.
電子資源:	https://doi.org/10.1007/978-1-137-56885-4
ISBN:	9781137568854$q(electronic bk.)

Emotions in contemporary TV series
Emotions in contemporary TV series[electronic resource] /edited by Alberto N. Garcia. - London :Palgrave Macmillan UK :2016. - xi, 253 p. :ill., digital ;24 cm.

This book examines the role of emotions in contemporary TV series. Over the past 20 years, TV fiction has become one of the most powerful and influential trends in popular culture. Shows such as Mad Men, Breaking Bad, The Sopranos, Lost and The Wire have created a vigorous televisual landscape where innovations in narrative form, aesthetic engagement and ethical concerns have raised TV entertainment to new heights. What makes this volume unique is its interdisciplinary approach, as the series are analysed from the perspective of Television Studies, Literature, Sociology, Philosophy and Media Studies. Key concepts developed include the relation between moral emotion and character identification, how serial narrative builds into 'affective moments' as a distinctive mode of aesthetic experience, the politics of emotion in collective identities, the intersection of gender and emotions, and how popular genres such as terror films, the thriller and science fiction manage the 'emotional turn' that postmodernism has made visible.

ISBN: 9781137568854$q(electronic bk.)

Standard No.: 10.1007/978-1-137-56885-4doiSubjects--Topical Terms:

828554
Emotions on television.

LC Class. No.: PN1992.8.E46 / E46 2016

Dewey Class. No.: 791.45653

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520 $a This book examines the role of emotions in contemporary TV series. Over the past 20 years, TV fiction has become one of the most powerful and influential trends in popular culture. Shows such as Mad Men, Breaking Bad, The Sopranos, Lost and The Wire have created a vigorous televisual landscape where innovations in narrative form, aesthetic engagement and ethical concerns have raised TV entertainment to new heights. What makes this volume unique is its interdisciplinary approach, as the series are analysed from the perspective of Television Studies, Literature, Sociology, Philosophy and Media Studies. Key concepts developed include the relation between moral emotion and character identification, how serial narrative builds into 'affective moments' as a distinctive mode of aesthetic experience, the politics of emotion in collective identities, the intersection of gender and emotions, and how popular genres such as terror films, the thriller and science fiction manage the 'emotional turn' that postmodernism has made visible.
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