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Political cyberformancethe Etheatre ...

Papagiannouli, Christina.

Political cyberformancethe Etheatre Project /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Political cyberformanceby Christina Papagiannouli.
Reminder of title:	the Etheatre Project /
Author:	Papagiannouli, Christina.
Published:	London :Palgrave Macmillan UK :2016.
Description:	xx, 122 p. :ill., digital ;23 cm.
Contained By:	Springer eBooks
Subject:	Theater and the Internet.
Online resource:	https://doi.org/10.1057/9781137577047
ISBN:	9781137577047$q(electronic bk.)

Political cyberformancethe Etheatre Project /
Papagiannouli, Christina.

Political cyberformancethe Etheatre Project /[electronic resource] :by Christina Papagiannouli. - London :Palgrave Macmillan UK :2016. - xx, 122 p. :ill., digital ;23 cm.

Political Cyberformance: The Etheatre Project examines the use of Internet platforms as theatrical, rehearsal and performance spaces and explores the interactive and political potentials of online theatre, questioning the boundaries of these in-between spaces and the spatial experiences they cause. In a political cyberformance, the role of the director is to promote real-time discussion between the audience and the performers via a chat box and assist the active participation of spectators in the performance. In particular, I look at forms of cyber-adaptation, cyber-ethnotheatre and cyber-collaboration as directing methodologies for producing dialectical forms of political cyberformances, with reference to the productions of Cyberian Chalk Circle (2011), Merry Crisis and a Happy New Fear (2012) and Etheatre Project and Collaborators (2014), respectively.

ISBN: 9781137577047$q(electronic bk.)

Standard No.: 10.1057/9781137577047doiSubjects--Topical Terms:

828559
Theater and the Internet.

LC Class. No.: PN2041.I57 / P36 2016

Dewey Class. No.: 792.902854678

Political cyberformancethe Etheatre Project /
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520 $a Political Cyberformance: The Etheatre Project examines the use of Internet platforms as theatrical, rehearsal and performance spaces and explores the interactive and political potentials of online theatre, questioning the boundaries of these in-between spaces and the spatial experiences they cause. In a political cyberformance, the role of the director is to promote real-time discussion between the audience and the performers via a chat box and assist the active participation of spectators in the performance. In particular, I look at forms of cyber-adaptation, cyber-ethnotheatre and cyber-collaboration as directing methodologies for producing dialectical forms of political cyberformances, with reference to the productions of Cyberian Chalk Circle (2011), Merry Crisis and a Happy New Fear (2012) and Etheatre Project and Collaborators (2014), respectively.
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