國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

A post-nationalist history of televi...

Brennan, Edward.

A post-nationalist history of television in Ireland

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A post-nationalist history of television in Irelandby Edward Brennan.
作者:	Brennan, Edward.
出版者:	Cham :Springer International Publishing :2019.
面頁冊數:	xiii, 231 p. :ill., map, digital ;22 cm.
Contained By:	Springer eBooks
標題:	TelevisionSocial aspectsIreland
電子資源:	https://doi.org/10.1007/978-3-319-96860-5
ISBN:	9783319968605$q(electronic bk.)

A post-nationalist history of television in Ireland
Brennan, Edward.

A post-nationalist history of television in Ireland[electronic resource] /by Edward Brennan. - Cham :Springer International Publishing :2019. - xiii, 231 p. :ill., map, digital ;22 cm.

1. How Should We Write a History of Television? -- 2. A Dominant Narrative in Irish Television History -- 3. Personal Memory and Social Power -- 4. Making Sense of Television -- 5. Memories of Imported Programmes and International Broadcasts -- 6. Time, Space and Television -- 7. Recollection and Social Status -- 8. Putting the Bishop and the Nightie to Bed -- 9. Personally Remembering the Global.

This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people's memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global.

ISBN: 9783319968605$q(electronic bk.)

Standard No.: 10.1007/978-3-319-96860-5doiSubjects--Topical Terms:

833856
Television
--Social aspects--Ireland

LC Class. No.: PN1992.3.I73 / B74 2019

Dewey Class. No.: 302.234509415

A post-nationalist history of television in Ireland
LDR:02461nmm a2200325 a 4500 001 552906
003 DE-He213
005 20190808104719.0
006 m d
007 cr nn 008maaau
008 191107s2019 gw s 0 eng d
020 $a 9783319968605$q(electronic bk.)
020 $a 9783319968599$q(paper)
024 7 $a 10.1007/978-3-319-96860-5 $2 doi
035 $a 978-3-319-96860-5
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1992.3.I73 $b B74 2019
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a ATF $2 thema
082 0 4 $a 302.234509415 $2 23
090 $a PN1992.3.I73 $b B838 2019
100 1 $a Brennan, Edward. $3 833855
245 1 2 $a A post-nationalist history of television in Ireland $h [electronic resource] / $c by Edward Brennan.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a xiii, 231 p. : $b ill., map, digital ; $c 22 cm.
505 0 $a 1. How Should We Write a History of Television? -- 2. A Dominant Narrative in Irish Television History -- 3. Personal Memory and Social Power -- 4. Making Sense of Television -- 5. Memories of Imported Programmes and International Broadcasts -- 6. Time, Space and Television -- 7. Recollection and Social Status -- 8. Putting the Bishop and the Nightie to Bed -- 9. Personally Remembering the Global.
520 $a This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people's memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global.
650 0 $a Television $x Social aspects $z Ireland $x History. $3 833856
650 0 $a Mass media and nationalism $z Ireland. $3 833857
650 1 4 $a Screen Studies. $3 823838
650 2 4 $a History of Britain and Ireland. $3 739805
650 2 4 $a Memory Studies. $3 750144
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-3-319-96860-5
950 $a Literature, Cultural and Media Studies (Springer-41173)