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Critical writing for embodied approa...

Mackinlay, Elizabeth.

Critical writing for embodied approachesautoethnography, feminism and decoloniality /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Critical writing for embodied approachesby Elizabeth Mackinlay.
Reminder of title:	autoethnography, feminism and decoloniality /
Author:	Mackinlay, Elizabeth.
Published:	Cham :Springer International Publishing :2019.
Description:	xv, 265 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	EthnologyAuthorship.
Online resource:	https://doi.org/10.1007/978-3-030-04669-9
ISBN:	9783030046699$q(electronic bk.)

Critical writing for embodied approachesautoethnography, feminism and decoloniality /
Mackinlay, Elizabeth.

Critical writing for embodied approachesautoethnography, feminism and decoloniality /[electronic resource] :by Elizabeth Mackinlay. - Cham :Springer International Publishing :2019. - xv, 265 p. :ill., digital ;24 cm.

1. A-Way of Writing, the Way it is Written -- 2. Ending Writing, at the Beginning -- 3. Writing with Cixous, in Love -- 4. Writing with Virginia Woolf, not Afraid -- 5. But First, a Love Affair with Words -- 6. Writing, in and to Arrivance -- 7. Writing, A-Way to Un-Forgetting -- 8. Writing Decoloniality, with Cixous and Woolf -- 9. Critical Autoethnography, to Trouble with Words -- 10. Writing, an Ethical Conversation -- 11. Beginning Writing at the Ending; a Second Take, a Second to Take.

Autoethnography is a unique discipline which steps inside and outside the self to experience, embody and express social and cultural meaning. At once a performative, political and poetic genre of research writing, it holds the potential to uncover the 'heart of the world', if only for a moment. The author uses theory as story and story as theory to explore her place in the world through painstaking and intimate self and social narratives to lay bare the unique challenges and rewards of autoethnography. Framed around the metaphor of 'heartlines', the author explores autoethnographic practice as critical feminist and decolonial work and the power it holds for not only imagining a wise, ethical and loving world, but for making such a kind place possible. Through a performative journey of the heart, we travel with the author as she unearths the power of words, of writing and not-writing, evoking in particular the work of Helene Cixous and Virginia Woolf. This reflective, passionate and pioneering volume will be of interest and value to all those interested in autoethnography and the ways in which it can be applied as critical, ethical and political work in the social sciences.

ISBN: 9783030046699$q(electronic bk.)

Standard No.: 10.1007/978-3-030-04669-9doiSubjects--Topical Terms:

287267
Ethnology
--Authorship.

LC Class. No.: GN307.7 / .M335 2019

Dewey Class. No.: 305.800723

Critical writing for embodied approachesautoethnography, feminism and decoloniality /
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505 0 $a 1. A-Way of Writing, the Way it is Written -- 2. Ending Writing, at the Beginning -- 3. Writing with Cixous, in Love -- 4. Writing with Virginia Woolf, not Afraid -- 5. But First, a Love Affair with Words -- 6. Writing, in and to Arrivance -- 7. Writing, A-Way to Un-Forgetting -- 8. Writing Decoloniality, with Cixous and Woolf -- 9. Critical Autoethnography, to Trouble with Words -- 10. Writing, an Ethical Conversation -- 11. Beginning Writing at the Ending; a Second Take, a Second to Take.
520 $a Autoethnography is a unique discipline which steps inside and outside the self to experience, embody and express social and cultural meaning. At once a performative, political and poetic genre of research writing, it holds the potential to uncover the 'heart of the world', if only for a moment. The author uses theory as story and story as theory to explore her place in the world through painstaking and intimate self and social narratives to lay bare the unique challenges and rewards of autoethnography. Framed around the metaphor of 'heartlines', the author explores autoethnographic practice as critical feminist and decolonial work and the power it holds for not only imagining a wise, ethical and loving world, but for making such a kind place possible. Through a performative journey of the heart, we travel with the author as she unearths the power of words, of writing and not-writing, evoking in particular the work of Helene Cixous and Virginia Woolf. This reflective, passionate and pioneering volume will be of interest and value to all those interested in autoethnography and the ways in which it can be applied as critical, ethical and political work in the social sciences.
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