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Dialogue writing for dubbingan insid...
~
Spiteri Miggiani, Giselle.
Dialogue writing for dubbingan insider's perspective /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Dialogue writing for dubbingby Giselle Spiteri Miggiani.
Reminder of title:
an insider's perspective /
Author:
Spiteri Miggiani, Giselle.
Published:
Cham :Springer International Publishing :2019.
Description:
xxii, 271 p. :ill. (some col.), digital ;23 cm.
Contained By:
Springer eBooks
Subject:
Dubbing of motion pictures.
Online resource:
https://doi.org/10.1007/978-3-030-04966-9
ISBN:
9783030049669$q(electronic bk.)
Dialogue writing for dubbingan insider's perspective /
Spiteri Miggiani, Giselle.
Dialogue writing for dubbing
an insider's perspective /[electronic resource] :by Giselle Spiteri Miggiani. - Cham :Springer International Publishing :2019. - xxii, 271 p. :ill. (some col.), digital ;23 cm.
Part I: The Dialogue Writing Practice: A descriptive approach -- Chapter 1: Dialogue writing set in context -- Chapter 2: Bridging disciplines: analogies and applicable devices -- Part II: Strategies and Know-how: A practical approach -- Chapter 3: Dialogue Writing Itinerary -- Chapter 4: Dubbing Deliverables -- Chapter 5: Script components -- Chapter 6: Standards and practices -- Part III: Black Box Revealed: An analytical approach -- Chapter 7: Applied strategies.
This book analyses an important phase in the interlingual dubbing process of audiovisual productions: the elaboration of target language scripts for the recording studios. Written by a practitioner in the industry who is also an academic and trainer, it provides practical know-how and guidelines while adopting a scholarly, structural and methodical approach. Supported by an exemplified, analytical and theoretical framework, it is non-language specific and discusses strategies and tricks of the trade. Divided into three parts, the book provides a descriptive, practical and analytical approach to dubbing and dialogue writing. The author analyses scripts drawn from her own professional practice, including initial drafts that illustrate the various transformations of a text throughout the rewriting process. She also provides a 'backstage' perspective, from first-hand experience in recording sessions that provided first-hand knowledge of text manipulation, studio jargon, and the dubbing post production process. This publication will provide a valuable resource for novice dubbing translators and dialogue writers, while offering practitioner insights to scholars and researchers in the field of Audiovisual Translation, Film and Media Studies.
ISBN: 9783030049669$q(electronic bk.)
Standard No.: 10.1007/978-3-030-04966-9doiSubjects--Topical Terms:
461199
Dubbing of motion pictures.
LC Class. No.: P306 / .S66 2019
Dewey Class. No.: 418.02
Dialogue writing for dubbingan insider's perspective /
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ill. (some col.), digital ;
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Part I: The Dialogue Writing Practice: A descriptive approach -- Chapter 1: Dialogue writing set in context -- Chapter 2: Bridging disciplines: analogies and applicable devices -- Part II: Strategies and Know-how: A practical approach -- Chapter 3: Dialogue Writing Itinerary -- Chapter 4: Dubbing Deliverables -- Chapter 5: Script components -- Chapter 6: Standards and practices -- Part III: Black Box Revealed: An analytical approach -- Chapter 7: Applied strategies.
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This book analyses an important phase in the interlingual dubbing process of audiovisual productions: the elaboration of target language scripts for the recording studios. Written by a practitioner in the industry who is also an academic and trainer, it provides practical know-how and guidelines while adopting a scholarly, structural and methodical approach. Supported by an exemplified, analytical and theoretical framework, it is non-language specific and discusses strategies and tricks of the trade. Divided into three parts, the book provides a descriptive, practical and analytical approach to dubbing and dialogue writing. The author analyses scripts drawn from her own professional practice, including initial drafts that illustrate the various transformations of a text throughout the rewriting process. She also provides a 'backstage' perspective, from first-hand experience in recording sessions that provided first-hand knowledge of text manipulation, studio jargon, and the dubbing post production process. This publication will provide a valuable resource for novice dubbing translators and dialogue writers, while offering practitioner insights to scholars and researchers in the field of Audiovisual Translation, Film and Media Studies.
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Social Sciences (Springer-41176)
based on 0 review(s)
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電子館藏
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1 records • Pages 1 •
1
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000000167103
電子館藏
1圖書
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EB P306 S761 2019 2019
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1 records • Pages 1 •
1
Multimedia
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https://doi.org/10.1007/978-3-030-04966-9
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