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Computer music instruments IIrealtim...

Lazzarini, Victor.

Computer music instruments IIrealtime and object-oriented audio /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Computer music instruments IIby Victor Lazzarini.
Reminder of title:	realtime and object-oriented audio /
remainder title:	Computer music instruments 2
Author:	Lazzarini, Victor.
Published:	Cham :Springer International Publishing :2019.
Description:	xx, 374 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Computer music.
Online resource:	https://doi.org/10.1007/978-3-030-13712-0
ISBN:	9783030137120$q(electronic bk.)

Computer music instruments IIrealtime and object-oriented audio /
Lazzarini, Victor.

Computer music instruments IIrealtime and object-oriented audio /[electronic resource] :Computer music instruments 2by Victor Lazzarini. - Cham :Springer International Publishing :2019. - xx, 374 p. :ill., digital ;24 cm.

Part I, Towards Realtime Audio in C -- Introduction to the Programming Environment -- Data Types and Operators -- Standard Input and Output -- Control of Flow -- Arrays and Pointers -- Functions -- Structures -- Memory Management -- File Input and Output -- Soundfiles -- Realtime Audio -- Realtime MIDI -- Part II, Object-Oriented Audio in C++ -- Oscillators -- Interpolation -- Envelopes -- Filters -- AuLib -- Delay Line Processing -- Frequency-Doman Processing -- Plugins -- Appendix. A, AuLib Reference -- References -- Index.

This book is divided into two parts. The chapters in Part I offer a comprehensive introduction to the C language and to fundamental programming concepts, followed by an explanation of realtime audio programming, including audio synthesis and processing. The chapters in Part II demonstrate how the object-oriented programming paradigm is useful in the modelling of computer music instruments, each chapter shows a set of instrument components that are paired with key C++ programming concepts. Ultimately the author discusses the development of a fully-fledged object-oriented library. Together with its companion volume, Computer Music Instruments: Foundations, Design and Development, this book provides a comprehensive treatment of computational instruments for sound and music. It is suitable for advanced undergraduate and postgraduate students in music and signal processing, and for practitioners and researchers. Some understanding of acoustics and electronic music would be helpful to understand some applications, but it's not strictly necessary to have prior knowledge of audio DSP or programming, while C / C++ programmers with no experience of audio may be able to start reading the chapters that deal with sound and music computing.

ISBN: 9783030137120$q(electronic bk.)

Standard No.: 10.1007/978-3-030-13712-0doiSubjects--Topical Terms:

202324
Computer music.

LC Class. No.: M1473 / .L39 2019

Dewey Class. No.: 786.76

Computer music instruments IIrealtime and object-oriented audio /
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505 0 $a Part I, Towards Realtime Audio in C -- Introduction to the Programming Environment -- Data Types and Operators -- Standard Input and Output -- Control of Flow -- Arrays and Pointers -- Functions -- Structures -- Memory Management -- File Input and Output -- Soundfiles -- Realtime Audio -- Realtime MIDI -- Part II, Object-Oriented Audio in C++ -- Oscillators -- Interpolation -- Envelopes -- Filters -- AuLib -- Delay Line Processing -- Frequency-Doman Processing -- Plugins -- Appendix. A, AuLib Reference -- References -- Index.
520 $a This book is divided into two parts. The chapters in Part I offer a comprehensive introduction to the C language and to fundamental programming concepts, followed by an explanation of realtime audio programming, including audio synthesis and processing. The chapters in Part II demonstrate how the object-oriented programming paradigm is useful in the modelling of computer music instruments, each chapter shows a set of instrument components that are paired with key C++ programming concepts. Ultimately the author discusses the development of a fully-fledged object-oriented library. Together with its companion volume, Computer Music Instruments: Foundations, Design and Development, this book provides a comprehensive treatment of computational instruments for sound and music. It is suitable for advanced undergraduate and postgraduate students in music and signal processing, and for practitioners and researchers. Some understanding of acoustics and electronic music would be helpful to understand some applications, but it's not strictly necessary to have prior knowledge of audio DSP or programming, while C / C++ programmers with no experience of audio may be able to start reading the chapters that deal with sound and music computing.
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