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Representing the experience of war a...

Lippens, Ronnie.

Representing the experience of war and atrocityinterdisciplinary explorations in visual criminology /

Record Type:	Electronic resources : Monographic component part
Title/Author:	Representing the experience of war and atrocityedited by Ronnie Lippens, Emma Murray.
Reminder of title:	interdisciplinary explorations in visual criminology /
other author:	Lippens, Ronnie.
Published:	Cham :Springer International Publishing :2019.
Description:	ix, 261 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Visual communication.
Online resource:	https://doi.org/10.1007/978-3-030-13925-4
ISBN:	9783030139254$q(electronic bk.)

Representing the experience of war and atrocityinterdisciplinary explorations in visual criminology /
Representing the experience of war and atrocityinterdisciplinary explorations in visual criminology /[electronic resource] :edited by Ronnie Lippens, Emma Murray. - Cham :Springer International Publishing :2019. - ix, 261 p. :ill., digital ;24 cm. - Palgrave studies in crime, media and culture. - Palgrave studies in crime, media and culture..

1. Introduction, Ronnie Lippens -- 2. Georges Bataille's Paleolithic Cave Art and the Human Condition, Patrick Van Calster -- 3. The Aesthetics of Violence, David Polizzi -- 4. Images of Atrocity: From Victimhood to Redemption and the Implications for a (Narrative) Victimology, Sandra Walklate -- 5. Fathers and Sons: Loss and Truth in War Films from Bosnia and Sri Lanka, Dubravka Zarkov, Neloufer de Mel, and Rada Drezgic -- 6. Implicit Criminologies in the Filmic Representation of Genocide, Mark Bostock -- 7. Prometheus and the Degenerate: Arno Breker, Hans Bellmer, and Francis Bacon's Extreme Realism, Mark Featherstone -- 8. The Separate System? A Conversation on Collaborative Artistic Practice with Veterans-in-Prison, Emma Murray, Katie Davies and Emily Gee -- 9. Performing Atrocity: Staging Experiences of Violence and Conflict, Will McGowan -- 10. Competing to Control the Post-Conflict Present: Articulating Victimhood in Exhibitions in Northern Ireland, Matthew Jackson.

This book explores how the experience of war and related atrocities tend to be visually expressed, and how such articulations and representations are circulated and consumed. Each chapter of this volume examines how an image can contribute to a richer understanding of the experience of war and atrocity, and thus contributes to the burgeoning field of the Criminology of War. Topics include the destruction of war in oppositional cultural forms - comparing the Nazi period with the ISIS destruction of Palmyra - and the visual aesthetics of violence deployed by Jihadi terrorism. The contributors are a multi-disciplinary team drawn mainly from criminology, but also sociology, international relations, gender studies, English and the visual arts. This book will advance this field in new directions with refreshing, original work.

ISBN: 9783030139254$q(electronic bk.)

Standard No.: 10.1007/978-3-030-13925-4doiSubjects--Topical Terms:

204001
Visual communication.

LC Class. No.: P93.5 / .R477 2019

Dewey Class. No.: 302.23

Representing the experience of war and atrocityinterdisciplinary explorations in visual criminology /
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245 0 0 $a Representing the experience of war and atrocity $h [electronic resource] : $b interdisciplinary explorations in visual criminology / $c edited by Ronnie Lippens, Emma Murray.
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505 0 $a 1. Introduction, Ronnie Lippens -- 2. Georges Bataille's Paleolithic Cave Art and the Human Condition, Patrick Van Calster -- 3. The Aesthetics of Violence, David Polizzi -- 4. Images of Atrocity: From Victimhood to Redemption and the Implications for a (Narrative) Victimology, Sandra Walklate -- 5. Fathers and Sons: Loss and Truth in War Films from Bosnia and Sri Lanka, Dubravka Zarkov, Neloufer de Mel, and Rada Drezgic -- 6. Implicit Criminologies in the Filmic Representation of Genocide, Mark Bostock -- 7. Prometheus and the Degenerate: Arno Breker, Hans Bellmer, and Francis Bacon's Extreme Realism, Mark Featherstone -- 8. The Separate System? A Conversation on Collaborative Artistic Practice with Veterans-in-Prison, Emma Murray, Katie Davies and Emily Gee -- 9. Performing Atrocity: Staging Experiences of Violence and Conflict, Will McGowan -- 10. Competing to Control the Post-Conflict Present: Articulating Victimhood in Exhibitions in Northern Ireland, Matthew Jackson.
520 $a This book explores how the experience of war and related atrocities tend to be visually expressed, and how such articulations and representations are circulated and consumed. Each chapter of this volume examines how an image can contribute to a richer understanding of the experience of war and atrocity, and thus contributes to the burgeoning field of the Criminology of War. Topics include the destruction of war in oppositional cultural forms - comparing the Nazi period with the ISIS destruction of Palmyra - and the visual aesthetics of violence deployed by Jihadi terrorism. The contributors are a multi-disciplinary team drawn mainly from criminology, but also sociology, international relations, gender studies, English and the visual arts. This book will advance this field in new directions with refreshing, original work.
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700 1 $a Lippens, Ronnie. $3 565972
700 1 $a Murray, Emma. $3 839172
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950 $a Law and Criminology (Springer-41177)