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(Re)telling old storiesPeter Brook's...

Brook, Peter, (1925-)

(Re)telling old storiesPeter Brook's Mahabharata and Ariane Mnouchkine's Les Atrides /

Record Type:	Electronic resources : Monograph/item
Title/Author:	(Re)telling old storiesDominic Glynn.
Reminder of title:	Peter Brook's Mahabharata and Ariane Mnouchkine's Les Atrides /
Author:	Glynn, Dominic,
Published:	Bruxelles ;P.I.E. Peter Lang,2015.
Description:	144 p. :ill., digital ;24 cm.
Subject:	Theater20th century.France
Online resource:	https://www.peterlang.com/view/product/61983?format=EPDF
ISBN:	9783035265194$q(electronic bk.)

(Re)telling old storiesPeter Brook's Mahabharata and Ariane Mnouchkine's Les Atrides /
Glynn, Dominic,1985-

(Re)telling old storiesPeter Brook's Mahabharata and Ariane Mnouchkine's Les Atrides /[electronic resource] :Dominic Glynn. - Bruxelles ;P.I.E. Peter Lang,2015. - 144 p. :ill., digital ;24 cm.

Includes bibliographical references (pages 131-144).

Peter Brook and Ariane Mnouchkine are among the most important directors in recent theatre history. This book focuses on two of their landmark productions, 'Mahabharata' (1985) and 'Les Atrides' (1992-1994) respectively, in order to uncover parallel methodologies in the transfer of ancient mythological narratives to the contemporary French stage. It investigates audiences' relationship with these works re-told, questioning their/our relationship to heritage, at a time when marketing departments and politicians re-hash the same old stories to cajole would-be consumers and voters.

ISBN: 9783035265194$q(electronic bk.)Subjects--Personal Names:

840539
Brook, Peter,
1925---Criticism and interpretation.Subjects--Topical Terms:

840541
Theater
--France--20th century.

LC Class. No.: PN2635 / .G56 2015

Dewey Class. No.: 800

(Re)telling old storiesPeter Brook's Mahabharata and Ariane Mnouchkine's Les Atrides /
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520 8 $a Peter Brook and Ariane Mnouchkine are among the most important directors in recent theatre history. This book focuses on two of their landmark productions, 'Mahabharata' (1985) and 'Les Atrides' (1992-1994) respectively, in order to uncover parallel methodologies in the transfer of ancient mythological narratives to the contemporary French stage. It investigates audiences' relationship with these works re-told, questioning their/our relationship to heritage, at a time when marketing departments and politicians re-hash the same old stories to cajole would-be consumers and voters.
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