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Performance and spectatorship in Edw...

Great Britain

Performance and spectatorship in Edwardian art writing

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performance and spectatorship in Edwardian art writingby Sophie Hatchwell.
Author:	Hatchwell, Sophie.
Published:	Cham :Springer International Publishing :2019.
Description:	xi, 126 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Art literatureHistory and criticism.Great Britain
Subject:	Great BritainEconomic policy1979-1997.
Online resource:	https://doi.org/10.1007/978-3-030-17024-0
ISBN:	9783030170240$q(electronic bk.)

Performance and spectatorship in Edwardian art writing
Hatchwell, Sophie.

Performance and spectatorship in Edwardian art writing[electronic resource] /by Sophie Hatchwell. - Cham :Springer International Publishing :2019. - xi, 126 p. :ill., digital ;24 cm. - Bernard shaw and his contemporaries. - Bernard shaw and his contemporaries..

1. Introduction: An Invitation -- 2. Characterising the Viewer -- 3. Spectatorship and Ekphrasis -- 4. Staging Spectatorship -- 5. Staging Art -- 6. Domesticity, Decoration and Role Play -- 7. Conclusion.

This book explores how Edwardian art writing shaped and narrated embodied, performative forms of aesthetic spectatorship. It argues that we need to expand the range of texts we think of as art writing, and features a diverse array of critical and fictional works, often including texts that are otherwise absent from art-historical study. Multi-disciplinary in scope, this book proposes a methodology for analyzing the aesthetic encounter within and through art writing, adapting and reworking a form of phenomenological-semiotic analysis found conventionally in performance studies. It focuses on moments where theories of spectatorship meet practice, moving between the varied spaces of Edwardian art viewing, from the critical text, to the lecture hall, the West End theatre and gallery, middle-class home, and fictional novel. It contributes to a rethinking of Edwardian culture by exploring the intriguing heterogeneity and self-consciousness of viewing practices in a period more commonly associated with the emergence of formalism.

ISBN: 9783030170240$q(electronic bk.)

Standard No.: 10.1007/978-3-030-17024-0doiSubjects--Topical Terms:

841885
Art literature
--History and criticism.--Great BritainSubjects--Geographical Terms:

381151
Great Britain
--Economic policy--1979-1997.

LC Class. No.: N7485.G7 / H383 2019

Dewey Class. No.: 701.180942

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505 0 $a 1. Introduction: An Invitation -- 2. Characterising the Viewer -- 3. Spectatorship and Ekphrasis -- 4. Staging Spectatorship -- 5. Staging Art -- 6. Domesticity, Decoration and Role Play -- 7. Conclusion.
520 $a This book explores how Edwardian art writing shaped and narrated embodied, performative forms of aesthetic spectatorship. It argues that we need to expand the range of texts we think of as art writing, and features a diverse array of critical and fictional works, often including texts that are otherwise absent from art-historical study. Multi-disciplinary in scope, this book proposes a methodology for analyzing the aesthetic encounter within and through art writing, adapting and reworking a form of phenomenological-semiotic analysis found conventionally in performance studies. It focuses on moments where theories of spectatorship meet practice, moving between the varied spaces of Edwardian art viewing, from the critical text, to the lecture hall, the West End theatre and gallery, middle-class home, and fictional novel. It contributes to a rethinking of Edwardian culture by exploring the intriguing heterogeneity and self-consciousness of viewing practices in a period more commonly associated with the emergence of formalism.
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