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Eastern European popular music in a ...

Gyori, Zsolt.

Eastern European popular music in a transnational contextbeyond the borders /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Eastern European popular music in a transnational contextedited by Ewa Mazierska, Zsolt Gyori.
Reminder of title:	beyond the borders /
other author:	Mazierska, Ewa.
Published:	Cham :Springer International Publishing :2019.
Description:	xii, 243 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Popular musicHistory and criticism.Europe, Eastern
Online resource:	https://doi.org/10.1007/978-3-030-17034-9
ISBN:	9783030170349$q(electronic bk.)

Eastern European popular music in a transnational contextbeyond the borders /
Eastern European popular music in a transnational contextbeyond the borders /[electronic resource] :edited by Ewa Mazierska, Zsolt Gyori. - Cham :Springer International Publishing :2019. - xii, 243 p. :ill., digital ;24 cm. - Palgrave European film and media studies. - Palgrave European film and media studies..

1. Introduction: Crossing National and Regional Borders in Eastern European Popular Music, Ewa Mazierska and Zsolt Gyori -- Part 1: Bringing Foreign Music to the European East -- 2. Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970s and 1980s, Adam Havlik -- 3. Quiet Fanaticism: The Phenomenon of Leonard Cohen's Popularity in Poland, Ewa Mazierska and Xawery Stanczyk -- 4. Authenticity and Orientalism: Cultural Appropriations in Polish Alternative Music Scene in the 1970s and 1980s, Xawery Stanczyk -- 5. Eastern Europe as Punk Frontier, Aimar Ventsel -- Part 2: Eastern European Music Crossing the Borders -- 6. Success, Failure, Splendid Isolation: Czesław Niemen's Career in Europe, Mariusz Gradowski -- 7. Yugo-Polish: The Uses of Yugoslav Music by Polish Musicians, Ewa Mazierska -- 8. Balkan High, Balkan Low: Music Production between Hybridity and Class Struggle, Slobodan Karamanic and Manuela Unverdorben -- Part 3: Liminal Spaces of Eastern European Music Festivals -- 9. The Intervision Song Contest: A Commercial and Pan-European Alternative to the Eurovision Song Contest, Dean Vuletic -- 10. Between Utopia and the Marketplace: The Case of the Sziget Festival, Zsolt Gyori -- 11. A Tale of Two (Or #EverMore) Festivals: Electronic Music in a Transylvanian Town, Ruxandra Trandafoiu.

This volume examines the transnational character of popular music since the Cold War era to the present. Bringing together the cross-disciplinary research of native scholars, Eastern European Popular Music in a Transnational Context expands our understanding of the movement of physical music, musicians and genres through the Iron Curtain and within the region of Eastern Europe. With case studies ranging from Goran Bregovic, Czesław Niemen, the reception of Leonard Cohen in Poland, the Estonian punk scene to the Intervision Song Contest, the book discusses how the production and reception of popular music in the region has always been heavily influenced by international trends and how varied strategies allowed performers and fans to acquire cosmopolitan identities. Cross-disciplinary in nature, the investigations are informed by political, social and cultural history, reception studies, sociology and marketing and are largely based on archival research and interviews.

ISBN: 9783030170349$q(electronic bk.)

Standard No.: 10.1007/978-3-030-17034-9doiSubjects--Topical Terms:

764380
Popular music
--History and criticism.--Europe, Eastern

LC Class. No.: ML3488 / .E278 2019

Dewey Class. No.: 781.630947

Eastern European popular music in a transnational contextbeyond the borders /
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505 0 $a 1. Introduction: Crossing National and Regional Borders in Eastern European Popular Music, Ewa Mazierska and Zsolt Gyori -- Part 1: Bringing Foreign Music to the European East -- 2. Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970s and 1980s, Adam Havlik -- 3. Quiet Fanaticism: The Phenomenon of Leonard Cohen's Popularity in Poland, Ewa Mazierska and Xawery Stanczyk -- 4. Authenticity and Orientalism: Cultural Appropriations in Polish Alternative Music Scene in the 1970s and 1980s, Xawery Stanczyk -- 5. Eastern Europe as Punk Frontier, Aimar Ventsel -- Part 2: Eastern European Music Crossing the Borders -- 6. Success, Failure, Splendid Isolation: Czesław Niemen's Career in Europe, Mariusz Gradowski -- 7. Yugo-Polish: The Uses of Yugoslav Music by Polish Musicians, Ewa Mazierska -- 8. Balkan High, Balkan Low: Music Production between Hybridity and Class Struggle, Slobodan Karamanic and Manuela Unverdorben -- Part 3: Liminal Spaces of Eastern European Music Festivals -- 9. The Intervision Song Contest: A Commercial and Pan-European Alternative to the Eurovision Song Contest, Dean Vuletic -- 10. Between Utopia and the Marketplace: The Case of the Sziget Festival, Zsolt Gyori -- 11. A Tale of Two (Or #EverMore) Festivals: Electronic Music in a Transylvanian Town, Ruxandra Trandafoiu.
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