Language:
English
繁體中文
Help
圖資館首頁
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
The changing social economy of artar...
~
Abbing, Hans.
The changing social economy of artare the arts becoming less exclusive? /
Record Type:
Electronic resources : Monograph/item
Title/Author:
The changing social economy of artby Hans Abbing.
Reminder of title:
are the arts becoming less exclusive? /
Author:
Abbing, Hans.
Published:
Cham :Springer International Publishing :2019.
Description:
v, 257 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
Art and society.
Online resource:
https://doi.org/10.1007/978-3-030-21668-9
ISBN:
9783030216689$q(electronic bk.)
The changing social economy of artare the arts becoming less exclusive? /
Abbing, Hans.
The changing social economy of art
are the arts becoming less exclusive? /[electronic resource] :by Hans Abbing. - Cham :Springer International Publishing :2019. - v, 257 p. :ill., digital ;24 cm.
Chapter 1: Preface -- Chapter 2: The Triumph of Serious Art -- Chapter 3: Authentic Art and Artists -- Chapter 4: Exclusion -- Chapter 5: Distrust of Commerce and Commercialism -- Chapter 6: Sharing Art -- Chapter 7: Conclusion.
Is art for everybody? Why do art lovers attach so much value to authenticity, autonomy and authorship? Why did the arts become so serious in the first place? Why do many artists reject commerce and cultural entrepreneurship? Crucially, are any of the answers to these questions currently changing? Hans Abbing is uniquely placed to answer such questions, and, drawing on his experiences as an economist and sociologist as well as a professional artist, in this volume he addresses them head on. In order to investigate changes in the social economy of the arts, Abbing compares developments in the established arts with those in the popular arts and proceeds to outline key ways that the former can learn from the latter; by lowering the cost of production, fostering innovation, and becoming less exclusive. These assertions are contextualized with analysis of the separation between serious art and entertainment in the nineteenth century, lending credence to the idea that government-supported art worlds have promoted the exclusion of various social groups. Abbing outlines how this is presently changing and why, while the established arts have become less exclusive, they are not yet for everybody.
ISBN: 9783030216689$q(electronic bk.)
Standard No.: 10.1007/978-3-030-21668-9doiSubjects--Topical Terms:
223840
Art and society.
LC Class. No.: N72.S6 / A235 2019
Dewey Class. No.: 701.03
The changing social economy of artare the arts becoming less exclusive? /
LDR
:02411nmm a2200325 a 4500
001
566350
003
DE-He213
005
20191218115233.0
006
m d
007
cr nn 008maaau
008
200429s2019 gw s 0 eng d
020
$a
9783030216689$q(electronic bk.)
020
$a
9783030216672$q(paper)
024
7
$a
10.1007/978-3-030-21668-9
$2
doi
035
$a
978-3-030-21668-9
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
N72.S6
$b
A235 2019
072
7
$a
VSG
$2
bicssc
072
7
$a
BUS000000
$2
bisacsh
072
7
$a
KCY
$2
thema
082
0 4
$a
701.03
$2
23
090
$a
N72.S6
$b
A124 2019
100
1
$a
Abbing, Hans.
$3
851972
245
1 4
$a
The changing social economy of art
$h
[electronic resource] :
$b
are the arts becoming less exclusive? /
$c
by Hans Abbing.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2019.
300
$a
v, 257 p. :
$b
ill., digital ;
$c
24 cm.
505
0
$a
Chapter 1: Preface -- Chapter 2: The Triumph of Serious Art -- Chapter 3: Authentic Art and Artists -- Chapter 4: Exclusion -- Chapter 5: Distrust of Commerce and Commercialism -- Chapter 6: Sharing Art -- Chapter 7: Conclusion.
520
$a
Is art for everybody? Why do art lovers attach so much value to authenticity, autonomy and authorship? Why did the arts become so serious in the first place? Why do many artists reject commerce and cultural entrepreneurship? Crucially, are any of the answers to these questions currently changing? Hans Abbing is uniquely placed to answer such questions, and, drawing on his experiences as an economist and sociologist as well as a professional artist, in this volume he addresses them head on. In order to investigate changes in the social economy of the arts, Abbing compares developments in the established arts with those in the popular arts and proceeds to outline key ways that the former can learn from the latter; by lowering the cost of production, fostering innovation, and becoming less exclusive. These assertions are contextualized with analysis of the separation between serious art and entertainment in the nineteenth century, lending credence to the idea that government-supported art worlds have promoted the exclusion of various social groups. Abbing outlines how this is presently changing and why, while the established arts have become less exclusive, they are not yet for everybody.
650
0
$a
Art and society.
$3
223840
650
0
$a
Authenticity (Philosophy)
$3
471240
650
0
$a
Commercialism.
$3
851973
650
1 4
$a
Popular Science in Economics.
$3
770313
650
2 4
$a
Cultural Economics.
$3
737497
650
2 4
$a
Public Economics.
$3
731080
650
2 4
$a
Cultural Studies.
$3
561258
650
2 4
$a
Cultural Management.
$3
675146
650
2 4
$a
Entrepreneurship.
$3
183598
710
2
$a
SpringerLink (Online service)
$3
273601
773
0
$t
Springer eBooks
856
4 0
$u
https://doi.org/10.1007/978-3-030-21668-9
950
$a
Economics and Finance (Springer-41170)
based on 0 review(s)
ALL
電子館藏
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
000000176148
電子館藏
1圖書
電子書
EB N72.S6 A124 2019 2019
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Multimedia file
https://doi.org/10.1007/978-3-030-21668-9
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login