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Sustainable tools for precarious tim...

Alvarez, Natalie.

Sustainable tools for precarious timesperformance actions in the Americas /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sustainable tools for precarious timesedited by Natalie Alvarez, Claudette Lauzon, Keren Zaiontz.
Reminder of title:	performance actions in the Americas /
other author:	Alvarez, Natalie.
Published:	Cham :Springer International Publishing :2019.
Description:	xiv, 343 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	ArtsPolitical aspectsAmerica.
Online resource:	https://doi.org/10.1007/978-3-030-11557-9
ISBN:	9783030115579$q(electronic bk.)

Sustainable tools for precarious timesperformance actions in the Americas /
Sustainable tools for precarious timesperformance actions in the Americas /[electronic resource] :edited by Natalie Alvarez, Claudette Lauzon, Keren Zaiontz. - Cham :Springer International Publishing :2019. - xiv, 343 p. :ill., digital ;24 cm. - Contemporary performance interactions. - Contemporary performance interactions..

1. On Sustainable Tools for Precarious Times: An Introduction; Natalie Alvarez, Claudette Lauzon, and Keren Zaiontz -- 2. Protest After Occupy: Rethinking the Repertoires of Left Activism; Micah White in conversation with Natalie Alvarez and Keren Zaiontz -- 3. Performative Conduct for Precarious Times; Natalie Alvarez and Keren Zaiontz -- 4. Their Dissidence Remains: Lessons from the 2011 Chilean Student Movement; Daniella Wittern-Bush -- 5. Beyond the Strike: Creative Legacies of the 2012 Quebec Student Protests; J.B. Spiegel -- 6. 'After the revolution, who's going to pick up the garbage on Monday morning?' Cartoneros and Sanmen in the Age of Financial Crises; Jimena Ortuzar -- 7. Your Trash is my Sustenance: Recycling the Image of 'Waste Pickers'; Carla Melo -- 8. Sustainable Practices on the U.S./Mexico border: InSITE_05, Intervention, and Precarious Communities; Jennie Klein -- 9. Art as Process in Everyday Life; Wilfredo Prieto in conversation with Zaira Zarza -- 10. 'CAVCA buries BIACI': Activating Decolonial Tools in Cartagena de Indias; Kimberly Richards and Martha Herrara-Lasso -- 11. Performance in the Peace Process: Creating Cultural Brigades; Patricia Ariza in conversation with Beatriz Pizano -- 12. Pimicikimak Sovereignty: Cree Sustainability and Hydroelectric Inundation in Northern Manitoba; Jessica Jacobson-Konefall -- 13. Already - And: The Art of Indigenous Survivance; Cheryl L'Hirondelle in conversation with Natalie Alvarez and Keren Zaiontz.

This book charts the changing frontiers of activism in the Americas. Travelling Canada, the US, the US-Mexico border, Chile, Argentina, Brazil, Cuba, Colombia, and Indigenous territories on Turtle Island, it invites readers to identify networks, clusters, and continuities of art-activist tactics designed to exceed the event horizon of the performance protest. Essays feature Indigenous artists engaging in land-based activism and decolonial cyberactivism, grass-roots movements imagining possible futures through cross-sector alliance building, art-activists forwarding tactics of reinvention, and student groups in the throes of theatrical assembly. Artist pages, interspersed throughout the collection, serve as animated, first-person perspectives of those working on the front lines of interventionist art. Taken together, the contributions offer a vibrant picture of emergent tactics and strategies over the past decade that allow art-activists to sustain the energy and press of political resistance in the face of a whole host of rights emergencies across the Americas.

ISBN: 9783030115579$q(electronic bk.)

Standard No.: 10.1007/978-3-030-11557-9doiSubjects--Topical Terms:

853779
Arts
--Political aspects--America.

LC Class. No.: N6490 / .S878 2019

Dewey Class. No.: 700.103

Sustainable tools for precarious timesperformance actions in the Americas /
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505 0 $a 1. On Sustainable Tools for Precarious Times: An Introduction; Natalie Alvarez, Claudette Lauzon, and Keren Zaiontz -- 2. Protest After Occupy: Rethinking the Repertoires of Left Activism; Micah White in conversation with Natalie Alvarez and Keren Zaiontz -- 3. Performative Conduct for Precarious Times; Natalie Alvarez and Keren Zaiontz -- 4. Their Dissidence Remains: Lessons from the 2011 Chilean Student Movement; Daniella Wittern-Bush -- 5. Beyond the Strike: Creative Legacies of the 2012 Quebec Student Protests; J.B. Spiegel -- 6. 'After the revolution, who's going to pick up the garbage on Monday morning?' Cartoneros and Sanmen in the Age of Financial Crises; Jimena Ortuzar -- 7. Your Trash is my Sustenance: Recycling the Image of 'Waste Pickers'; Carla Melo -- 8. Sustainable Practices on the U.S./Mexico border: InSITE_05, Intervention, and Precarious Communities; Jennie Klein -- 9. Art as Process in Everyday Life; Wilfredo Prieto in conversation with Zaira Zarza -- 10. 'CAVCA buries BIACI': Activating Decolonial Tools in Cartagena de Indias; Kimberly Richards and Martha Herrara-Lasso -- 11. Performance in the Peace Process: Creating Cultural Brigades; Patricia Ariza in conversation with Beatriz Pizano -- 12. Pimicikimak Sovereignty: Cree Sustainability and Hydroelectric Inundation in Northern Manitoba; Jessica Jacobson-Konefall -- 13. Already - And: The Art of Indigenous Survivance; Cheryl L'Hirondelle in conversation with Natalie Alvarez and Keren Zaiontz.
520 $a This book charts the changing frontiers of activism in the Americas. Travelling Canada, the US, the US-Mexico border, Chile, Argentina, Brazil, Cuba, Colombia, and Indigenous territories on Turtle Island, it invites readers to identify networks, clusters, and continuities of art-activist tactics designed to exceed the event horizon of the performance protest. Essays feature Indigenous artists engaging in land-based activism and decolonial cyberactivism, grass-roots movements imagining possible futures through cross-sector alliance building, art-activists forwarding tactics of reinvention, and student groups in the throes of theatrical assembly. Artist pages, interspersed throughout the collection, serve as animated, first-person perspectives of those working on the front lines of interventionist art. Taken together, the contributions offer a vibrant picture of emergent tactics and strategies over the past decade that allow art-activists to sustain the energy and press of political resistance in the face of a whole host of rights emergencies across the Americas.
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