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Transmediating the Whedonverse(s)ess...

Hawk, Julie L.

Transmediating the Whedonverse(s)essays on texts, paratexts, and metatexts /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Transmediating the Whedonverse(s)edited by Juliette C. Kitchens, Julie L. Hawk.
Reminder of title:	essays on texts, paratexts, and metatexts /
other author:	Kitchens, Juliette C.
Published:	Cham :Springer International Publishing :2019.
Description:	xvii, 210 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Television programsHistory.United States
Online resource:	https://doi.org/10.1007/978-3-030-24616-7
ISBN:	9783030246167$q(electronic bk.)

Transmediating the Whedonverse(s)essays on texts, paratexts, and metatexts /
Transmediating the Whedonverse(s)essays on texts, paratexts, and metatexts /[electronic resource] :edited by Juliette C. Kitchens, Julie L. Hawk. - Cham :Springer International Publishing :2019. - xvii, 210 p. :ill., digital ;24 cm.

Chapter 1: Exploring a Whedonverse, the Whedonverses, and the Whedonverse(s): The Shape of Transmedia Storytelling in Joss Whedon's World(s) -- Chapter 2: Un-Warren-ted: Or, How I Learned to Stop Worrying and Love My Transgressive Fandom -- Chapter 3: History Has Its Eyes on the Greatest Hellmouth in the World: Transmedia, Hint Fiction, and Mashup Memes -- Chapter 4: Transmediating the Whedon Classroom -- Chapter 5: "This is the next me": The Evolution of AI in the Whedonverse -- Chapter 6: "You're not the source of me": Navigating and Mastering the Transmedial at the End of Buffy the Vampire Slayer's Fourth Season -- Chapter 7: "To Speak Against an Opponent Eloquently Makes You an Unusual Personage": Joss Whedon as Deleuzian 'Minor Writer' -- Chapter 8: The Transtextual Road Trip: Buffy the Vampire Slayer, Supernatural, and Televisual Forebears -- Chapter 9: A Brief Note on Looking Forward -- Index.

This book explores the transmedial nature of the storyworlds created by and/or affiliated with television auteur, writer, and filmmaker, Joss Whedon. As such, the book addresses the ways in which Whedon's storyworlds, or 'verses, employ transmedia, both intrinsically as texts and extrinsically as these texts are consumed and, in some cases, reworked, by audiences. This collection walks readers through fan and scholar-fan engagement, intrinsic textual transmediality, and Whedon's lasting influence on televisual and transmedia texts. In closing, the editors argue for the need to continue research into how the Whedonverse(s) lend themselves to transmedial study, engage audiences in ways that take advantage of multiple media, and encourage textual internalization of these engagements within audiences.

ISBN: 9783030246167$q(electronic bk.)

Standard No.: 10.1007/978-3-030-24616-7doiSubjects--Personal Names:

630377
Whedon, Joss,
1964-Subjects--Topical Terms:

351820
Television programs
--History.--United States

LC Class. No.: PN1992.4.W49 / T736 2019

Dewey Class. No.: 791.430233092

Transmediating the Whedonverse(s)essays on texts, paratexts, and metatexts /
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505 0 $a Chapter 1: Exploring a Whedonverse, the Whedonverses, and the Whedonverse(s): The Shape of Transmedia Storytelling in Joss Whedon's World(s) -- Chapter 2: Un-Warren-ted: Or, How I Learned to Stop Worrying and Love My Transgressive Fandom -- Chapter 3: History Has Its Eyes on the Greatest Hellmouth in the World: Transmedia, Hint Fiction, and Mashup Memes -- Chapter 4: Transmediating the Whedon Classroom -- Chapter 5: "This is the next me": The Evolution of AI in the Whedonverse -- Chapter 6: "You're not the source of me": Navigating and Mastering the Transmedial at the End of Buffy the Vampire Slayer's Fourth Season -- Chapter 7: "To Speak Against an Opponent Eloquently Makes You an Unusual Personage": Joss Whedon as Deleuzian 'Minor Writer' -- Chapter 8: The Transtextual Road Trip: Buffy the Vampire Slayer, Supernatural, and Televisual Forebears -- Chapter 9: A Brief Note on Looking Forward -- Index.
520 $a This book explores the transmedial nature of the storyworlds created by and/or affiliated with television auteur, writer, and filmmaker, Joss Whedon. As such, the book addresses the ways in which Whedon's storyworlds, or 'verses, employ transmedia, both intrinsically as texts and extrinsically as these texts are consumed and, in some cases, reworked, by audiences. This collection walks readers through fan and scholar-fan engagement, intrinsic textual transmediality, and Whedon's lasting influence on televisual and transmedia texts. In closing, the editors argue for the need to continue research into how the Whedonverse(s) lend themselves to transmedial study, engage audiences in ways that take advantage of multiple media, and encourage textual internalization of these engagements within audiences.
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