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Reading Shakespeare in the moviesnon...
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Mallin, Eric S.
Reading Shakespeare in the moviesnon-adaptations and their meaning /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Reading Shakespeare in the moviesby Eric S. Mallin.
Reminder of title:
non-adaptations and their meaning /
Author:
Mallin, Eric S.
Published:
Cham :Springer International Publishing :2019.
Description:
xiii, 254 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
Shakespeare.
Online resource:
https://doi.org/10.1007/978-3-030-28898-3
ISBN:
9783030288983$q(electronic bk.)
Reading Shakespeare in the moviesnon-adaptations and their meaning /
Mallin, Eric S.
Reading Shakespeare in the movies
non-adaptations and their meaning /[electronic resource] :by Eric S. Mallin. - Cham :Springer International Publishing :2019. - xiii, 254 p. :ill., digital ;24 cm. - Reproducing shakespeare. - Reproducing shakespeare..
1. Shakespeare in the Movies: Meaning-Making in the Non-Adaptation -- 2. Out of Joint: Memento as Contemporary Hamlet -- 3. Titanic's Doomed Lovers as Shakespearean Avatars -- 4. Disturbing Dreams and Transcendence in Birdman and The Tempest -- 5. The Violence of Meat: Titus Andronicus, The Texas Chainsaw Massacre, and the Fate of the Animal -- 6. Epilogue: Three Billboards and Modulations of Shakespearean Revenge.
Reading Shakespeare in the Movies: Non-Adaptations and Their Meaning analyzes the unacknowledged, covert presence of Shakespearean themes, structures, characters, and symbolism in selected films. Writers and directors who forge an unconscious, unintentional connection to Shakespeare's work create non-adaptations, cinema that is unexpectedly similar to certain Shakespeare plays while remaining independent as art. These films can illuminate core semantic issues in those plays in ways that direct adaptations cannot. Eric S. Mallin explores how Shakespeare illuminates these movies, analyzing the ways that The Godfather, Memento, Titanic, Birdman, and The Texas Chainsaw Massacre take on new life in dialogue with the famous playwright. In addition to challenging our ideas about adaptation, Mallin works to inspire new awareness of the meanings of Shakespearean stories in the contemporary world.
ISBN: 9783030288983$q(electronic bk.)
Standard No.: 10.1007/978-3-030-28898-3doiSubjects--Personal Names:
392937
Shakespeare, William,
1564-1616--Histories.Subjects--Topical Terms:
806683
Shakespeare.
LC Class. No.: PR3093 / .M355 2019
Dewey Class. No.: 822.33
Reading Shakespeare in the moviesnon-adaptations and their meaning /
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non-adaptations and their meaning /
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1. Shakespeare in the Movies: Meaning-Making in the Non-Adaptation -- 2. Out of Joint: Memento as Contemporary Hamlet -- 3. Titanic's Doomed Lovers as Shakespearean Avatars -- 4. Disturbing Dreams and Transcendence in Birdman and The Tempest -- 5. The Violence of Meat: Titus Andronicus, The Texas Chainsaw Massacre, and the Fate of the Animal -- 6. Epilogue: Three Billboards and Modulations of Shakespearean Revenge.
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Reading Shakespeare in the Movies: Non-Adaptations and Their Meaning analyzes the unacknowledged, covert presence of Shakespearean themes, structures, characters, and symbolism in selected films. Writers and directors who forge an unconscious, unintentional connection to Shakespeare's work create non-adaptations, cinema that is unexpectedly similar to certain Shakespeare plays while remaining independent as art. These films can illuminate core semantic issues in those plays in ways that direct adaptations cannot. Eric S. Mallin explores how Shakespeare illuminates these movies, analyzing the ways that The Godfather, Memento, Titanic, Birdman, and The Texas Chainsaw Massacre take on new life in dialogue with the famous playwright. In addition to challenging our ideas about adaptation, Mallin works to inspire new awareness of the meanings of Shakespearean stories in the contemporary world.
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Literature, Cultural and Media Studies (Springer-41173)
based on 0 review(s)
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電子館藏
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000000176753
電子館藏
1圖書
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EB PR3093 .M254 2019 2019
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1 records • Pages 1 •
1
Multimedia
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https://doi.org/10.1007/978-3-030-28898-3
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