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Radio, race, and audible difference ...
~
Blake, Art M.
Radio, race, and audible difference in post-1945 Americathe citizens band /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Radio, race, and audible difference in post-1945 Americaby Art M. Blake.
Reminder of title:
the citizens band /
Author:
Blake, Art M.
Published:
Cham :Springer International Publishing :2019.
Description:
xv, 92 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
Radio broadcastingSocial aspectsUnited States.
Online resource:
https://doi.org/10.1007/978-3-030-31841-3
ISBN:
9783030318413$q(electronic bk.)
Radio, race, and audible difference in post-1945 Americathe citizens band /
Blake, Art M.
Radio, race, and audible difference in post-1945 America
the citizens band /[electronic resource] :by Art M. Blake. - Cham :Springer International Publishing :2019. - xv, 92 p. :ill., digital ;24 cm.
1. America in Color: The Postwar Audible Spectrum -- 2. The Sounds of White Vulnerability -- 3. Mobilizing Black Technoculture -- 4. Queering the Spectrum from Radio to Local TV.
In the second half of the twentieth century, new sounds began to reverberate across the United States. The voices of African-Americans as well as of women, Latinx, queer, and trans people broke through in social movements, street protests, and in media stories of political and social disruption. Postwar America literally sounded different. This book argues that new technologies and new mobilities sharpened American attention to these audibly coded identities, on the radio, on the streets and highways, in new music, and on television. Covering the Puerto Rican migration to New York in the 1950s, the varying uses of CB radio by white and African American citizens in the 1970s, and the emergence of audible queerness, Art M. Blake attunes us to the sounds of race, mobility, and audible difference. As he argues, marginalized groups disrupted the postwar machine age by using new media technologies to make themselves heard.
ISBN: 9783030318413$q(electronic bk.)
Standard No.: 10.1007/978-3-030-31841-3doiSubjects--Topical Terms:
855546
Radio broadcasting
--Social aspects--United States.
LC Class. No.: HE8698 / .B53 2019
Dewey Class. No.: 384.540973
Radio, race, and audible difference in post-1945 Americathe citizens band /
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1. America in Color: The Postwar Audible Spectrum -- 2. The Sounds of White Vulnerability -- 3. Mobilizing Black Technoculture -- 4. Queering the Spectrum from Radio to Local TV.
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In the second half of the twentieth century, new sounds began to reverberate across the United States. The voices of African-Americans as well as of women, Latinx, queer, and trans people broke through in social movements, street protests, and in media stories of political and social disruption. Postwar America literally sounded different. This book argues that new technologies and new mobilities sharpened American attention to these audibly coded identities, on the radio, on the streets and highways, in new music, and on television. Covering the Puerto Rican migration to New York in the 1950s, the varying uses of CB radio by white and African American citizens in the 1970s, and the emergence of audible queerness, Art M. Blake attunes us to the sounds of race, mobility, and audible difference. As he argues, marginalized groups disrupted the postwar machine age by using new media technologies to make themselves heard.
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000000177600
電子館藏
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EB HE8698 .B636 2019 2019
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1 records • Pages 1 •
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https://doi.org/10.1007/978-3-030-31841-3
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