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Comics as communicationa functional ...
~
Davies, Paul Fisher.
Comics as communicationa functional approach /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Comics as communicationby Paul Fisher Davies.
Reminder of title:
a functional approach /
Author:
Davies, Paul Fisher.
Published:
Cham :Springer International Publishing :2019.
Description:
xix, 338 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
Graphic novelsHistory and criticism.
Online resource:
https://doi.org/10.1007/978-3-030-29722-0
ISBN:
9783030297220$q(electronic bk.)
Comics as communicationa functional approach /
Davies, Paul Fisher.
Comics as communication
a functional approach /[electronic resource] :by Paul Fisher Davies. - Cham :Springer International Publishing :2019. - xix, 338 p. :ill., digital ;24 cm. - Palgrave studies in comics and graphic novels. - Palgrave studies in comics and graphic novels..
1. Introduction -- 2. Prelude: 'Animating' the narrative in abstract comics -- 3. Representing Processes in Graphic Narrative -- 4. Games Comics Play: Interpersonal Interaction in Graphic Narrative -- 5. Abstraction and the Interpersonal in Graphic Narrative -- 6. Cohesion and the Textuality of Comics -- 7. The Logical Structures of Comics: Hypotaxis, Parataxis and Text Worlds -- 8. Coda: Metaphor, magic and making meanings -- 9. Conclusion.
This book explores how comics function to make meanings in the manner of a language. It outlines a framework for describing the resources and practices of comics creation and readership, using an approach that is compatible with similar descriptions of linguistic and multimodal communication. The approach is based largely on the work of Michael Halliday, drawing also on the pragmatics of Paul Grice, the Text World Theory of Paul Werth and Joanna Gavins, and ideas from art theory, psychology and narratology. This brings a broad Hallidayan framework of multimodal analysis to comics scholarship, and plays a part in extending that tradition of multimodal linguistics to graphic narrative.
ISBN: 9783030297220$q(electronic bk.)
Standard No.: 10.1007/978-3-030-29722-0doiSubjects--Topical Terms:
529675
Graphic novels
--History and criticism.
LC Class. No.: PN6714 / .D38 2019
Dewey Class. No.: 741.59
Comics as communicationa functional approach /
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1. Introduction -- 2. Prelude: 'Animating' the narrative in abstract comics -- 3. Representing Processes in Graphic Narrative -- 4. Games Comics Play: Interpersonal Interaction in Graphic Narrative -- 5. Abstraction and the Interpersonal in Graphic Narrative -- 6. Cohesion and the Textuality of Comics -- 7. The Logical Structures of Comics: Hypotaxis, Parataxis and Text Worlds -- 8. Coda: Metaphor, magic and making meanings -- 9. Conclusion.
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This book explores how comics function to make meanings in the manner of a language. It outlines a framework for describing the resources and practices of comics creation and readership, using an approach that is compatible with similar descriptions of linguistic and multimodal communication. The approach is based largely on the work of Michael Halliday, drawing also on the pragmatics of Paul Grice, the Text World Theory of Paul Werth and Joanna Gavins, and ideas from art theory, psychology and narratology. This brings a broad Hallidayan framework of multimodal analysis to comics scholarship, and plays a part in extending that tradition of multimodal linguistics to graphic narrative.
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Literature, Cultural and Media Studies (Springer-41173)
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000000177643
電子館藏
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EB PN6714 .D257 2019 2019
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https://doi.org/10.1007/978-3-030-29722-0
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