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Body and event in Howard Barker's dr...

Barker, Howard, (1946-)

Body and event in Howard Barker's dramafrom catastrophe to anastrophe in The castle and other plays /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Body and event in Howard Barker's dramaby Alireza Fakhrkonandeh.
Reminder of title:	from catastrophe to anastrophe in The castle and other plays /
Author:	Fakhrkonandeh, Alireza.
Published:	Cham :Springer International Publishing :2019.
Description:	xvii, 151 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Performing Arts.
Online resource:	https://doi.org/10.1007/978-3-030-28699-6
ISBN:	9783030286996$q(electronic bk.)

Body and event in Howard Barker's dramafrom catastrophe to anastrophe in The castle and other plays /
Fakhrkonandeh, Alireza.

Body and event in Howard Barker's dramafrom catastrophe to anastrophe in The castle and other plays /[electronic resource] :by Alireza Fakhrkonandeh. - Cham :Springer International Publishing :2019. - xvii, 151 p. :ill., digital ;24 cm.

CHAPTER ONE: New Cartographies of Catastrophe and the Ethics of the Non-Human: Howard Barker's Aesthetics since 1980s -- CHAPTER TWO: The Castle and Other Plays -- CHAPTER THREE: Relationality, Desire, and Language -- CHAPTER FOUR: Aporias of Religion in Barker: God, Deconstruction and the Re-Writing of the Bible -- CHAPTER FIVE: Disciplinary Apparatus, Paining the Transgressive Bodies and -- CHAPTER SIX: The Moment of Con-tactile Aesthethics.

This book explores questions of gender, desire, embodiment, and language in Barker's oeuvre. With The Castle as a focal point, the scope extends considerably beyond this play to incorporate analysis and exploration of the Theatre of Catastrophe; questions of gender, subjectivity and desire; God/religion; aesthetics of the self; autonomy-heteronomy; ethics; and the relation between political and libidinal economy, at stake in 20 other plays by Barker (including Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler's Ache for the Nearly Dead, The Brilliance of the Servant, Golgo, among others)

ISBN: 9783030286996$q(electronic bk.)

Standard No.: 10.1007/978-3-030-28699-6doiSubjects--Personal Names:

855657
Barker, Howard,
1946---Criticism and interpretation.Subjects--Topical Terms:

284098
Performing Arts.

LC Class. No.: PR6052.A6485

Dewey Class. No.: 822.914

Body and event in Howard Barker's dramafrom catastrophe to anastrophe in The castle and other plays /
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505 0 $a CHAPTER ONE: New Cartographies of Catastrophe and the Ethics of the Non-Human: Howard Barker's Aesthetics since 1980s -- CHAPTER TWO: The Castle and Other Plays -- CHAPTER THREE: Relationality, Desire, and Language -- CHAPTER FOUR: Aporias of Religion in Barker: God, Deconstruction and the Re-Writing of the Bible -- CHAPTER FIVE: Disciplinary Apparatus, Paining the Transgressive Bodies and -- CHAPTER SIX: The Moment of Con-tactile Aesthethics.
520 $a This book explores questions of gender, desire, embodiment, and language in Barker's oeuvre. With The Castle as a focal point, the scope extends considerably beyond this play to incorporate analysis and exploration of the Theatre of Catastrophe; questions of gender, subjectivity and desire; God/religion; aesthetics of the self; autonomy-heteronomy; ethics; and the relation between political and libidinal economy, at stake in 20 other plays by Barker (including Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler's Ache for the Nearly Dead, The Brilliance of the Servant, Golgo, among others)
600 1 0 $a Barker, Howard, $d 1946- $x Criticism and interpretation. $3 855657
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