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Pragmatist philosophy and danceinter...
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Mullis, Eric.
Pragmatist philosophy and danceinterdisciplinary dance research in the American South /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Pragmatist philosophy and danceby Eric Mullis.
Reminder of title:
interdisciplinary dance research in the American South /
Author:
Mullis, Eric.
Published:
Cham :Springer International Publishing :2019.
Description:
xiii, 247 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
DanceResearchSouthern States.
Online resource:
https://doi.org/10.1007/978-3-030-29314-7
ISBN:
9783030293147$q(electronic bk.)
Pragmatist philosophy and danceinterdisciplinary dance research in the American South /
Mullis, Eric.
Pragmatist philosophy and dance
interdisciplinary dance research in the American South /[electronic resource] :by Eric Mullis. - Cham :Springer International Publishing :2019. - xiii, 247 p. :ill., digital ;24 cm. - Performance philosophy. - Performance philosophy..
1. Sources beyond the Pale -- 2. Pragmatist Methods: Experimental Inquiry, Somaesthetics, and Performance Praxis -- 3. Religious History: Spirit Poured out on all Flesh -- 4. Dance History: The Rolling Deep -- 5. Ethnographic Research: Signs Follow Them That Believe -- 6. Movement Research: The Most Originally Mine -- 7. Religious Experience: William James, Ecstasy, and Christian Fundamentalism -- 8. Conclusions: On Pragmatist Performance Philosophy.
This book investigates how Pragmatist philosophy as a philosophical method contributes to the understanding and practice of interdisciplinary dance research. It uses the author's own practice-based research project, Later Rain, to illustrate this. Later Rain is a post-dramatic dance theater work that engages primarily with issues in the philosophy of religion and socio-political philosophy. It focuses on ecstatic states that arise in Appalachian charismatic Pentecostal church services, states characterized by dancing, paroxysms, shouting, and speaking in tongues (glossolalia) Research for this work is interdisciplinary as it draws on studio practice, ethnographic field work, cultural history, Pentecostal history and theology, folk aesthetics, anthropological understandings of ecstatic religious rituals, and dance history regarding acclaimed works that have sought to present aspects of religious ecstasy on stage; Doris Humphrey's The Shakers (1931), Mark Godden's Angels in the Architecture (2012), Martha Clarke's Angel Reapers (2015) and Ralph Lemon's Geography trilogy (2005) The project thereby demonstrates a process model of dance philosophy, showing how philosophy and dance artistry intertwine in a specific creative process.
ISBN: 9783030293147$q(electronic bk.)
Standard No.: 10.1007/978-3-030-29314-7doiSubjects--Topical Terms:
855718
Dance
--Research--Southern States.
LC Class. No.: GV1589 / .M85 2019
Dewey Class. No.: 792.807
Pragmatist philosophy and danceinterdisciplinary dance research in the American South /
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1. Sources beyond the Pale -- 2. Pragmatist Methods: Experimental Inquiry, Somaesthetics, and Performance Praxis -- 3. Religious History: Spirit Poured out on all Flesh -- 4. Dance History: The Rolling Deep -- 5. Ethnographic Research: Signs Follow Them That Believe -- 6. Movement Research: The Most Originally Mine -- 7. Religious Experience: William James, Ecstasy, and Christian Fundamentalism -- 8. Conclusions: On Pragmatist Performance Philosophy.
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This book investigates how Pragmatist philosophy as a philosophical method contributes to the understanding and practice of interdisciplinary dance research. It uses the author's own practice-based research project, Later Rain, to illustrate this. Later Rain is a post-dramatic dance theater work that engages primarily with issues in the philosophy of religion and socio-political philosophy. It focuses on ecstatic states that arise in Appalachian charismatic Pentecostal church services, states characterized by dancing, paroxysms, shouting, and speaking in tongues (glossolalia) Research for this work is interdisciplinary as it draws on studio practice, ethnographic field work, cultural history, Pentecostal history and theology, folk aesthetics, anthropological understandings of ecstatic religious rituals, and dance history regarding acclaimed works that have sought to present aspects of religious ecstasy on stage; Doris Humphrey's The Shakers (1931), Mark Godden's Angels in the Architecture (2012), Martha Clarke's Angel Reapers (2015) and Ralph Lemon's Geography trilogy (2005) The project thereby demonstrates a process model of dance philosophy, showing how philosophy and dance artistry intertwine in a specific creative process.
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EB GV1589 .M959 2019 2019
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