國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Ritwik Ghatak and the cinema of prax...

Ghatak, Ritwikkumar, (1925-1976.)

Ritwik Ghatak and the cinema of praxisculture, aesthetics and vision /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Ritwik Ghatak and the cinema of praxisby Diamond Oberoi Vahali.
其他題名:	culture, aesthetics and vision /
作者:	Vahali, Diamond Oberoi.
出版者:	Singapore :Springer Singapore :2020.
面頁冊數:	xix, 242 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Motion picture producers and directorsIndia.
電子資源:	https://doi.org/10.1007/978-981-15-1197-4
ISBN:	9789811511974$q(electronic bk.)

Ritwik Ghatak and the cinema of praxisculture, aesthetics and vision /
Vahali, Diamond Oberoi.

Ritwik Ghatak and the cinema of praxisculture, aesthetics and vision /[electronic resource] :by Diamond Oberoi Vahali. - Singapore :Springer Singapore :2020. - xix, 242 p. :ill., digital ;24 cm.

Introduction -- The Man and his Times -- A Search for a Personal Vision of Cinema -- Indian People's Theatre Association and the Cinema of Social Transformation -- The Episodic Structure in Ghatak's Cinema -- The Magnum Opus of the Bengal Partition: Motifs and Antinomies -- Recasting the Contemporary in the Crucible of the myth: Interventions and Interpretations -- Cinematography, Lighting, Sound and Music: A Contrapuntal Melody -- Film and Praxis: A Political Odyssey -- Marxism, Culture and Praxis -- The Angst of an Artist -- Survival and Resilience.

In a significant departure from other works on Ritwik Ghatak, this book establishes him as an auteur and a maestro on par with some of the great film directors, like Sergei Eisenstein, Satyajit Ray, Ingmar Bergman, Federico Fellini, Kenji Mizoguchi and Luis Bunuel. Based on in-depth research that follows Ghatak's journey within the context of the Indian People's Theatre Association, it fills an important gap in the scholarship around Ghatak by offering crucial insights into Ghatak's unique vision of cinema embedded as it is in the cultural psychic configurations of the people. It analyses Ghatak's practice by minutely tracing formal similarities across the language of his cinematic oeuvre in the domain of cinematography, lighting, music, and sound. The book develops the way in which cinematic technique enters the domain of conceptual constructs and abstractions. It moves on to chronicle Ghatak's political odyssey as reflected in his cinema. Moreover, it charts the manner in which Ghatak, through his cinematic idiom, offers a polemic of cinema that further adds to his notion of praxis - a thoughtful Marxist paradigm organically associated with the culture and context of India. By locating Ghatak within the discourse of nationalism, the book brings to the surface Ghatak's critical insights related to the independence of the nation and the trauma of the partition of Bengal. Ghatak's cinema served the crucial function of chronicling the mass tragedy of partition and its impact on the human psyche. This book appeals to scholars of film studies and filmmaking as well as to researchers and general readers interested in debates pertaining to culture, politics, art, psychoanalysis, partition and refugee studies, cinema, theatre, and ideology.

ISBN: 9789811511974$q(electronic bk.)

Standard No.: 10.1007/978-981-15-1197-4doiSubjects--Personal Names:

858894
Ghatak, Ritwikkumar,
1925-1976.Subjects--Topical Terms:

858895
Motion picture producers and directors
--India.

LC Class. No.: PN1998.3.G43 / V343 2020

Dewey Class. No.: 791.430233092

Ritwik Ghatak and the cinema of praxisculture, aesthetics and vision /
LDR:03347nmm a2200325 a 4500 001 572035
003 DE-He213
005 20200817160157.0
006 m d
007 cr nn 008maaau
008 200922s2020 si s 0 eng d
020 $a 9789811511974$q(electronic bk.)
020 $a 9789811511967$q(paper)
024 7 $a 10.1007/978-981-15-1197-4 $2 doi
035 $a 978-981-15-1197-4
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1998.3.G43 $b V343 2020
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.430233092 $2 23
090 $a PN1998.3.G43 $b V127 2020
100 1 $a Vahali, Diamond Oberoi. $3 858893
245 1 0 $a Ritwik Ghatak and the cinema of praxis $h [electronic resource] : $b culture, aesthetics and vision / $c by Diamond Oberoi Vahali.
260 $a Singapore : $b Springer Singapore : $b Imprint: Springer, $c 2020.
300 $a xix, 242 p. : $b ill., digital ; $c 24 cm.
505 0 $a Introduction -- The Man and his Times -- A Search for a Personal Vision of Cinema -- Indian People's Theatre Association and the Cinema of Social Transformation -- The Episodic Structure in Ghatak's Cinema -- The Magnum Opus of the Bengal Partition: Motifs and Antinomies -- Recasting the Contemporary in the Crucible of the myth: Interventions and Interpretations -- Cinematography, Lighting, Sound and Music: A Contrapuntal Melody -- Film and Praxis: A Political Odyssey -- Marxism, Culture and Praxis -- The Angst of an Artist -- Survival and Resilience.
520 $a In a significant departure from other works on Ritwik Ghatak, this book establishes him as an auteur and a maestro on par with some of the great film directors, like Sergei Eisenstein, Satyajit Ray, Ingmar Bergman, Federico Fellini, Kenji Mizoguchi and Luis Bunuel. Based on in-depth research that follows Ghatak's journey within the context of the Indian People's Theatre Association, it fills an important gap in the scholarship around Ghatak by offering crucial insights into Ghatak's unique vision of cinema embedded as it is in the cultural psychic configurations of the people. It analyses Ghatak's practice by minutely tracing formal similarities across the language of his cinematic oeuvre in the domain of cinematography, lighting, music, and sound. The book develops the way in which cinematic technique enters the domain of conceptual constructs and abstractions. It moves on to chronicle Ghatak's political odyssey as reflected in his cinema. Moreover, it charts the manner in which Ghatak, through his cinematic idiom, offers a polemic of cinema that further adds to his notion of praxis - a thoughtful Marxist paradigm organically associated with the culture and context of India. By locating Ghatak within the discourse of nationalism, the book brings to the surface Ghatak's critical insights related to the independence of the nation and the trauma of the partition of Bengal. Ghatak's cinema served the crucial function of chronicling the mass tragedy of partition and its impact on the human psyche. This book appeals to scholars of film studies and filmmaking as well as to researchers and general readers interested in debates pertaining to culture, politics, art, psychoanalysis, partition and refugee studies, cinema, theatre, and ideology.
600 1 0 $a Ghatak, Ritwikkumar, $d 1925-1976. $3 858894
650 0 $a Motion picture producers and directors $z India. $3 858895
650 1 4 $a Asian Cinema and TV. $3 828552
650 2 4 $a Asian History. $3 697923
650 2 4 $a Migration. $3 274734
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-981-15-1197-4
950 $a Literature, Cultural and Media Studies (Springer-41173)