Language:
English
繁體中文
Help
圖資館首頁
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Contemporary African dance theatreph...
~
Sorgel, Sabine.
Contemporary African dance theatrephenomenology, whiteness, and the gaze /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Contemporary African dance theatreby Sabine Sorgel.
Reminder of title:
phenomenology, whiteness, and the gaze /
Author:
Sorgel, Sabine.
Published:
Cham :Springer International Publishing :2020.
Description:
ix, 174 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
DanceSocial aspectsAfrica.
Online resource:
https://doi.org/10.1007/978-3-030-41501-3
ISBN:
9783030415013$q(electronic bk.)
Contemporary African dance theatrephenomenology, whiteness, and the gaze /
Sorgel, Sabine.
Contemporary African dance theatre
phenomenology, whiteness, and the gaze /[electronic resource] :by Sabine Sorgel. - Cham :Springer International Publishing :2020. - ix, 174 p. :ill., digital ;24 cm. - New world choreographies. - New world choreographies..
1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze.
This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of 'un-suturing' that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics.
ISBN: 9783030415013$q(electronic bk.)
Standard No.: 10.1007/978-3-030-41501-3doiSubjects--Topical Terms:
859997
Dance
--Social aspects--Africa.
LC Class. No.: GV1705 / .S865 2020
Dewey Class. No.: 306.484096
Contemporary African dance theatrephenomenology, whiteness, and the gaze /
LDR
:02380nmm a2200337 a 4500
001
572784
003
DE-He213
005
20200805145507.0
006
m d
007
cr nn 008maaau
008
200925s2020 sz s 0 eng d
020
$a
9783030415013$q(electronic bk.)
020
$a
9783030415006$q(paper)
024
7
$a
10.1007/978-3-030-41501-3
$2
doi
035
$a
978-3-030-41501-3
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
GV1705
$b
.S865 2020
072
7
$a
ASD
$2
bicssc
072
7
$a
PER003000
$2
bisacsh
072
7
$a
ATQ
$2
thema
082
0 4
$a
306.484096
$2
23
090
$a
GV1705
$b
.S713 2020
100
1
$a
Sorgel, Sabine.
$3
859996
245
1 0
$a
Contemporary African dance theatre
$h
[electronic resource] :
$b
phenomenology, whiteness, and the gaze /
$c
by Sabine Sorgel.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2020.
300
$a
ix, 174 p. :
$b
ill., digital ;
$c
24 cm.
490
1
$a
New world choreographies
505
0
$a
1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze.
520
$a
This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of 'un-suturing' that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics.
650
0
$a
Dance
$x
Social aspects
$z
Africa.
$3
859997
650
0
$a
Race relations.
$3
175056
650
1 4
$a
Dance.
$3
288195
650
2 4
$a
Performing Arts.
$3
284098
650
2 4
$a
Contemporary Theatre.
$3
774209
650
2 4
$a
Performers and Practitioners.
$3
794843
650
2 4
$a
Applied Theatre.
$3
852137
650
2 4
$a
African Culture.
$3
747234
710
2
$a
SpringerLink (Online service)
$3
273601
773
0
$t
Springer eBooks
830
0
$a
New world choreographies.
$3
760208
856
4 0
$u
https://doi.org/10.1007/978-3-030-41501-3
950
$a
Literature, Cultural and Media Studies (Springer-41173)
based on 0 review(s)
ALL
電子館藏
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
000000179395
電子館藏
1圖書
電子書
EB GV1705 .S713 2020 2020
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Multimedia file
https://doi.org/10.1007/978-3-030-41501-3
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login