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Transnational Flamencoexchange and t...

Great Britain

Transnational Flamencoexchange and the individual in British and Spanish Flamenco culture /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Transnational Flamencoby Tenley Martin.
Reminder of title:	exchange and the individual in British and Spanish Flamenco culture /
Author:	Martin, Tenley.
Published:	Cham :Springer International Publishing :2020.
Description:	xiv, 296 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	FlamencoSocial aspectsGreat Britain.
Subject:	Great BritainEconomic policy1979-1997.
Online resource:	https://doi.org/10.1007/978-3-030-37199-9
ISBN:	9783030371999$q(electronic bk.)

Transnational Flamencoexchange and the individual in British and Spanish Flamenco culture /
Martin, Tenley.

Transnational Flamencoexchange and the individual in British and Spanish Flamenco culture /[electronic resource] :by Tenley Martin. - Cham :Springer International Publishing :2020. - xiv, 296 p. :ill., digital ;24 cm. - Leisure studies in a global era. - Leisure studies in a global era..

1. Introduction -- 2. An Overview of Flamenco and Globalisation -- 3. Sevilla: Local Scenes and Ex-Pat Communities -- 4. Madrid: The Consummate Professional Scene -- 5. Flamenca Britannica: One Foot in Andalucia -- 6. Connected by the Compas: An Analysis of Cultural Transmission between Spain and the UK.

This book provides insight into how flamenco travels, the forms it assumes in new locales, and the reciprocal effects on the original scene. Utilising a postnational approach to cultural identity, Martin explores the role of non-native culture brokers in cultural transmission. This concept, referred to as 'cosmopolitan human hubs', builds on Kiwan and Meinhof's 'hubs' theory of network migration to move cultural migration and globalisation studies forwards. Martin outlines a post-globalisation flamenco culture through analysis of ethnographic research carried out in the UK, Sevilla and Madrid. Insight into these glocal scenes characterises flamenco as a historically globalized art complex,represented in various hubs around the world. This alternative approach to music migration and globalisation studies will be of interest to students and scholars across leisure studies, musicology, sociology and anthropology.

ISBN: 9783030371999$q(electronic bk.)

Standard No.: 10.1007/978-3-030-37199-9doiSubjects--Topical Terms:

861217
Flamenco
--Social aspects--Great Britain.Subjects--Geographical Terms:

381151
Great Britain
--Economic policy--1979-1997.

LC Class. No.: GV1796.F55 / M378 2020

Dewey Class. No.: 793.31941

Transnational Flamencoexchange and the individual in British and Spanish Flamenco culture /
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505 0 $a 1. Introduction -- 2. An Overview of Flamenco and Globalisation -- 3. Sevilla: Local Scenes and Ex-Pat Communities -- 4. Madrid: The Consummate Professional Scene -- 5. Flamenca Britannica: One Foot in Andalucia -- 6. Connected by the Compas: An Analysis of Cultural Transmission between Spain and the UK.
520 $a This book provides insight into how flamenco travels, the forms it assumes in new locales, and the reciprocal effects on the original scene. Utilising a postnational approach to cultural identity, Martin explores the role of non-native culture brokers in cultural transmission. This concept, referred to as 'cosmopolitan human hubs', builds on Kiwan and Meinhof's 'hubs' theory of network migration to move cultural migration and globalisation studies forwards. Martin outlines a post-globalisation flamenco culture through analysis of ethnographic research carried out in the UK, Sevilla and Madrid. Insight into these glocal scenes characterises flamenco as a historically globalized art complex,represented in various hubs around the world. This alternative approach to music migration and globalisation studies will be of interest to students and scholars across leisure studies, musicology, sociology and anthropology.
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