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Pound, Frost, Moore, and poetic prec...
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Ahearn, Barry.
Pound, Frost, Moore, and poetic precisionscience in modernist American poetry /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Pound, Frost, Moore, and poetic precisionby Barry Ahearn.
Reminder of title:
science in modernist American poetry /
Author:
Ahearn, Barry.
Published:
Cham :Springer International Publishing :2020.
Description:
xii, 332 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
American poetryHistory and criticism.19th century
Online resource:
https://doi.org/10.1007/978-3-030-36544-8
ISBN:
9783030365448$q(electronic bk.)
Pound, Frost, Moore, and poetic precisionscience in modernist American poetry /
Ahearn, Barry.
Pound, Frost, Moore, and poetic precision
science in modernist American poetry /[electronic resource] :by Barry Ahearn. - Cham :Springer International Publishing :2020. - xii, 332 p. :ill., digital ;24 cm.
Chapter One: Introduction -- Chapter Two: To Be Precise -- Chapter Three: Ezra Pound and Error -- Chapter Four: Robert Frost and "Something" -- Chapter Five: Marianne Moore and "Ac- / cident" -- Chapter Six: Afterword.
Pound, Frost, Moore and Poetic Precision: Science in American Modernist Poetry examines three major poets in light of the demand that poetry aspire to scientific precision. The critical insistence that poetry be precise affected every one of these poets, and looking at how they responded to this insistence offers a new perspective on their achievements and, by extension, twentieth-century poetry in general. Ezra Pound sought to associate poetry with the precision of modern science, technology and mathematics as a way to eliminate or reduce error. Robert Frost, however, welcomed imprecision as a fundamental aspect of existence that the poet could use. Marianne Moore appreciated the value of both precision and imprecision, especially with respect to her religious perspective on human and natural phenomena. By analyzing these particular poets' reaction to the value placed on precision, Barry Ahearn explores how that emphasis influenced the broader culture, literary culture and twentieth-century Modernist American poetry.
ISBN: 9783030365448$q(electronic bk.)
Standard No.: 10.1007/978-3-030-36544-8doiSubjects--Topical Terms:
191212
American poetry
--History and criticism.--19th century
LC Class. No.: PS316 / .A343 2020
Dewey Class. No.: 811.309
Pound, Frost, Moore, and poetic precisionscience in modernist American poetry /
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Chapter One: Introduction -- Chapter Two: To Be Precise -- Chapter Three: Ezra Pound and Error -- Chapter Four: Robert Frost and "Something" -- Chapter Five: Marianne Moore and "Ac- / cident" -- Chapter Six: Afterword.
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Pound, Frost, Moore and Poetic Precision: Science in American Modernist Poetry examines three major poets in light of the demand that poetry aspire to scientific precision. The critical insistence that poetry be precise affected every one of these poets, and looking at how they responded to this insistence offers a new perspective on their achievements and, by extension, twentieth-century poetry in general. Ezra Pound sought to associate poetry with the precision of modern science, technology and mathematics as a way to eliminate or reduce error. Robert Frost, however, welcomed imprecision as a fundamental aspect of existence that the poet could use. Marianne Moore appreciated the value of both precision and imprecision, especially with respect to her religious perspective on human and natural phenomena. By analyzing these particular poets' reaction to the value placed on precision, Barry Ahearn explores how that emphasis influenced the broader culture, literary culture and twentieth-century Modernist American poetry.
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Literature, Cultural and Media Studies (Springer-41173)
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https://doi.org/10.1007/978-3-030-36544-8
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