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The theatrical spectaculuman anthrop...
~
Gamliel, Tova.
The theatrical spectaculuman anthropological theory /
Record Type:
Electronic resources : Monograph/item
Title/Author:
The theatrical spectaculumby Tova Gamliel.
Reminder of title:
an anthropological theory /
Author:
Gamliel, Tova.
Published:
Cham :Springer International Publishing :2020.
Description:
xii, 270 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
TheaterPhilosophy.
Online resource:
https://doi.org/10.1007/978-3-030-28128-1
ISBN:
9783030281281$q(electronic bk.)
The theatrical spectaculuman anthropological theory /
Gamliel, Tova.
The theatrical spectaculum
an anthropological theory /[electronic resource] :by Tova Gamliel. - Cham :Springer International Publishing :2020. - xii, 270 p. :ill., digital ;24 cm. - Palgrave studies in literary anthropology. - Palgrave studies in literary anthropology..
Chapter 1: Introduction--Theatrical Cosmo-Logic -- Chapter 2: Aesth-ethics -- Chapter 3: The Spectaculum -- Chapter 4: Epilogue--Prostration.
This book offers a new mythic perspective on the secret of the allure and survival of a current-archaic institution-the Western theatre-in an era of diverse technological media. Central to the theory is the spectaculum-a stage "world" that mirrors a monotheistic cosmic order. Tova Gamliel here not only alerts the reader to the possibility of the spectaculum's existence, but also illuminates its various structural dimensions: the cosmological, ritual, and sociological. Its cosmo-logical meaning is a Judeo-Christian monotheistic consciousness of non-randomness, an exemplary order of the world that the senses perceive. The ritualmeaning denotes the centrality of the spectaculum, as the theatre repeatedly reenacts the mythical and paradigmatic event of Biblical revelation. Its social meaning concerns any charismatic social theory that is anchored in the epitomic structure of social sovereignty-stage and audience-that the Western theatre advances in an era characterized by hypermedia.
ISBN: 9783030281281$q(electronic bk.)
Standard No.: 10.1007/978-3-030-28128-1doiSubjects--Topical Terms:
221873
Theater
--Philosophy.
LC Class. No.: PN2039 / .G365 2020
Dewey Class. No.: 792.01
The theatrical spectaculuman anthropological theory /
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Chapter 1: Introduction--Theatrical Cosmo-Logic -- Chapter 2: Aesth-ethics -- Chapter 3: The Spectaculum -- Chapter 4: Epilogue--Prostration.
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This book offers a new mythic perspective on the secret of the allure and survival of a current-archaic institution-the Western theatre-in an era of diverse technological media. Central to the theory is the spectaculum-a stage "world" that mirrors a monotheistic cosmic order. Tova Gamliel here not only alerts the reader to the possibility of the spectaculum's existence, but also illuminates its various structural dimensions: the cosmological, ritual, and sociological. Its cosmo-logical meaning is a Judeo-Christian monotheistic consciousness of non-randomness, an exemplary order of the world that the senses perceive. The ritualmeaning denotes the centrality of the spectaculum, as the theatre repeatedly reenacts the mythical and paradigmatic event of Biblical revelation. Its social meaning concerns any charismatic social theory that is anchored in the epitomic structure of social sovereignty-stage and audience-that the Western theatre advances in an era characterized by hypermedia.
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Social Sciences (Springer-41176)
based on 0 review(s)
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000000181898
電子館藏
1圖書
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EB PN2039 .G192 2020 2020
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1 records • Pages 1 •
1
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https://doi.org/10.1007/978-3-030-28128-1
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