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Curating Islamic art worldwidefrom M...
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Norton-Wright, Jenny.
Curating Islamic art worldwidefrom Malacca to Manchester /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Curating Islamic art worldwideedited by Jenny Norton-Wright.
Reminder of title:
from Malacca to Manchester /
other author:
Norton-Wright, Jenny.
Published:
Cham :Springer International Publishing :2020.
Description:
xv, 165 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
Islamic art.
Online resource:
https://doi.org/10.1007/978-3-030-28880-8
ISBN:
9783030288808$q(electronic bk.)
Curating Islamic art worldwidefrom Malacca to Manchester /
Curating Islamic art worldwide
from Malacca to Manchester /[electronic resource] :edited by Jenny Norton-Wright. - Cham :Springer International Publishing :2020. - xv, 165 p. :ill., digital ;24 cm. - Heritage studies in the Muslim world. - Heritage studies in the Muslim world..
Introduction -- 1. Objects, Storytelling, Memory and Living Histories: Curating Islamic Art Empathically in an Era of Trauma and Displacement -- 2. Labelling Islam: Structuring Ideas in Islamic Galleries -- 3. Not Malacca but Marege: Islamic Art in Australia (Or, 'What Have the Umayyads Ever Done for Us?') -- 4. From Mosque to Museum: the Museum of Islamic and Near Eastern Cultures, Be'er Sheva, Israel -- 5. Display of the Sacred Relics Gallery in the Museum of Turkish and Islamic Art, Istanbul (TİEM) -- 6. In Pursuit of Islamic Art in Moscow -- 7. Representing the Bangsamoro in an Exhibition of Ethnography at the National Museum of the Philippines -- 8. Displaying the Cultures of Islam at the British Museum: The Albukhary Foundation Gallery of the Islamic World -- 9. Islamic Art and Saudi Arabia: Reconnecting Communities with Collections -- 10. Exploring World Faiths in Museum Collections -- 11. Curating Islamic Art in the Central United States: New Approaches to Collections, Installations and Audience Engagement.
This volume gives voice to cultural institutions working with collections of Islamic art and material culture globally, including many from outside Western Europe and North America. The contributions inform a vibrant, ongoing global conversation around curatorship in this field, one that embraces the responsibilities, challenges and opportunities for those engaged in it. Contributors-including art historians, curators and education specialists-discuss curatorial methodologies in theoretical and practical terms, present new exhibitions of Islamic art and culture, and explore the role of educational and engagement practices related to Islamic collections and Muslim audiences.
ISBN: 9783030288808$q(electronic bk.)
Standard No.: 10.1007/978-3-030-28880-8doiSubjects--Topical Terms:
614670
Islamic art.
LC Class. No.: N6260
Dewey Class. No.: 704.94897
Curating Islamic art worldwidefrom Malacca to Manchester /
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Introduction -- 1. Objects, Storytelling, Memory and Living Histories: Curating Islamic Art Empathically in an Era of Trauma and Displacement -- 2. Labelling Islam: Structuring Ideas in Islamic Galleries -- 3. Not Malacca but Marege: Islamic Art in Australia (Or, 'What Have the Umayyads Ever Done for Us?') -- 4. From Mosque to Museum: the Museum of Islamic and Near Eastern Cultures, Be'er Sheva, Israel -- 5. Display of the Sacred Relics Gallery in the Museum of Turkish and Islamic Art, Istanbul (TİEM) -- 6. In Pursuit of Islamic Art in Moscow -- 7. Representing the Bangsamoro in an Exhibition of Ethnography at the National Museum of the Philippines -- 8. Displaying the Cultures of Islam at the British Museum: The Albukhary Foundation Gallery of the Islamic World -- 9. Islamic Art and Saudi Arabia: Reconnecting Communities with Collections -- 10. Exploring World Faiths in Museum Collections -- 11. Curating Islamic Art in the Central United States: New Approaches to Collections, Installations and Audience Engagement.
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This volume gives voice to cultural institutions working with collections of Islamic art and material culture globally, including many from outside Western Europe and North America. The contributions inform a vibrant, ongoing global conversation around curatorship in this field, one that embraces the responsibilities, challenges and opportunities for those engaged in it. Contributors-including art historians, curators and education specialists-discuss curatorial methodologies in theoretical and practical terms, present new exhibitions of Islamic art and culture, and explore the role of educational and engagement practices related to Islamic collections and Muslim audiences.
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Social Sciences (Springer-41176)
based on 0 review(s)
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EB N6260 .C975 2020 2020
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https://doi.org/10.1007/978-3-030-28880-8
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