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Females in the framewomen, art, and ...

Jackson, Penelope.

Females in the framewomen, art, and crime /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Females in the frameby Penelope Jackson.
Reminder of title:	women, art, and crime /
Author:	Jackson, Penelope.
Published:	Cham :Springer International Publishing :2020.
Description:	xv, 222 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Female offenders.
Online resource:	https://doi.org/10.1007/978-3-030-44692-5
ISBN:	9783030446925$q(electronic bk.)

Females in the framewomen, art, and crime /
Jackson, Penelope.

Females in the framewomen, art, and crime /[electronic resource] :by Penelope Jackson. - Second edition. - Cham :Springer International Publishing :2020. - xv, 222 p. :ill., digital ;24 cm.

1. Introduction: Writing Alternative Art Histories -- 2. Lady Destroyers -- 3. The Mothers of All Art Crimes -- 4. She Vandals -- 5. The Art of the Con[wo]man -- 6. The Light Fingered -- 7. Naming Rights -- 8. The Professionals -- 9. Afterword: Making a Noise About the Silence.

This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.

ISBN: 9783030446925$q(electronic bk.)

Standard No.: 10.1007/978-3-030-44692-5doiSubjects--Topical Terms:

228768
Female offenders.

LC Class. No.: HV6046 / .J335 2020

Dewey Class. No.: 364.1082

Females in the framewomen, art, and crime /
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245 1 0 $a Females in the frame $h [electronic resource] : $b women, art, and crime / $c by Penelope Jackson.
250 $a Second edition.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a xv, 222 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction: Writing Alternative Art Histories -- 2. Lady Destroyers -- 3. The Mothers of All Art Crimes -- 4. She Vandals -- 5. The Art of the Con[wo]man -- 6. The Light Fingered -- 7. Naming Rights -- 8. The Professionals -- 9. Afterword: Making a Noise About the Silence.
520 $a This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.
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650 0 $a Art $x Forgeries. $3 471271
650 1 4 $a Audio-Visual Culture. $3 766675
650 2 4 $a Arts. $3 176960
650 2 4 $a Crime and Society. $3 739880
650 2 4 $a Gender Studies. $3 274235
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