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Translated and visiting Russian thea...

Marsh, Cynthia.

Translated and visiting Russian theatre in Britain, 1945-2015a "Russia of the theatrical mind"? /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Translated and visiting Russian theatre in Britain, 1945-2015by Cynthia Marsh.
Reminder of title:	a "Russia of the theatrical mind"? /
Author:	Marsh, Cynthia.
Published:	Cham :Springer International Publishing :2020.
Description:	xvi, 392 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Russian dramaAppreciation20th century.Great Britain
Online resource:	https://doi.org/10.1007/978-3-030-44333-7
ISBN:	9783030443337$q(electronic bk.)

Translated and visiting Russian theatre in Britain, 1945-2015a "Russia of the theatrical mind"? /
Marsh, Cynthia.

Translated and visiting Russian theatre in Britain, 1945-2015a "Russia of the theatrical mind"? /[electronic resource] :by Cynthia Marsh. - Cham :Springer International Publishing :2020. - xvi, 392 p. :ill., digital ;24 cm.

1. Setting the Scene -- 2. Gogol's Russia -- 3. From Merchant to Gentry Russia -- 4. Exposing Cultural Transfer -- 5. Confronting Modern Russias -- 6. Staging Russian Prose.

This book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev's A Month in the Country: have the British staged a 'Russia of the theatrical mind'?

ISBN: 9783030443337$q(electronic bk.)

Standard No.: 10.1007/978-3-030-44333-7doiSubjects--Topical Terms:

869297
Russian drama
--Appreciation--Great Britain--20th century.

LC Class. No.: PG2981.G7 / M377 2020

Dewey Class. No.: 891.7200941

Translated and visiting Russian theatre in Britain, 1945-2015a "Russia of the theatrical mind"? /
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505 0 $a 1. Setting the Scene -- 2. Gogol's Russia -- 3. From Merchant to Gentry Russia -- 4. Exposing Cultural Transfer -- 5. Confronting Modern Russias -- 6. Staging Russian Prose.
520 $a This book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev's A Month in the Country: have the British staged a 'Russia of the theatrical mind'?
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