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Intercultural aesthetics in traditio...
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Feng, Wei.
Intercultural aesthetics in traditional Chinese theatrefrom 1978 to the present /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Intercultural aesthetics in traditional Chinese theatreby Wei Feng.
Reminder of title:
from 1978 to the present /
Author:
Feng, Wei.
Published:
Cham :Springer International Publishing :2020.
Description:
xv, 277 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
Chinese dramaHistory and criticism.
Online resource:
https://doi.org/10.1007/978-3-030-40635-6
ISBN:
9783030406356$q(electronic bk.)
Intercultural aesthetics in traditional Chinese theatrefrom 1978 to the present /
Feng, Wei.
Intercultural aesthetics in traditional Chinese theatre
from 1978 to the present /[electronic resource] :by Wei Feng. - Cham :Springer International Publishing :2020. - xv, 277 p. :ill., digital ;24 cm.
1. Introduction -- 2. Chapter 1: 'Egotistic' Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion.
This book traces the transformation of traditional Chinese theatre's (xiqu) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and performances of eight adapted plays from William Shakespeare, Bertolt Brecht, and Samuel Beckett, this book elaborates on significant changes taking place in playwriting, acting, scenography, and stage-audience relations stemming from intercultural appropriation. As exemplified by each chapter, during the intercultural dialogue of Chinese and foreign elements there exists one-sided dominance by either culture, fusion, and hybridity, which corresponds to the various facets of China's pursuit of modernity between its traditional and Western influences.
ISBN: 9783030406356$q(electronic bk.)
Standard No.: 10.1007/978-3-030-40635-6doiSubjects--Topical Terms:
216431
Chinese drama
--History and criticism.
LC Class. No.: PL2357 / .F464 2020
Dewey Class. No.: 895.12009
Intercultural aesthetics in traditional Chinese theatrefrom 1978 to the present /
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1. Introduction -- 2. Chapter 1: 'Egotistic' Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion.
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This book traces the transformation of traditional Chinese theatre's (xiqu) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and performances of eight adapted plays from William Shakespeare, Bertolt Brecht, and Samuel Beckett, this book elaborates on significant changes taking place in playwriting, acting, scenography, and stage-audience relations stemming from intercultural appropriation. As exemplified by each chapter, during the intercultural dialogue of Chinese and foreign elements there exists one-sided dominance by either culture, fusion, and hybridity, which corresponds to the various facets of China's pursuit of modernity between its traditional and Western influences.
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Literature, Cultural and Media Studies (Springer-41173)
based on 0 review(s)
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EB PL2357 .F332 2020 2020
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https://doi.org/10.1007/978-3-030-40635-6
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