國立高雄大學圖資館 |

Language: English

Back

Contexts for music learning and part...

Creech, Andrea.

Contexts for music learning and participationdeveloping and sustaining musical possible selves /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Contexts for music learning and participationby Andrea Creech, Maria Varvarigou, Susan Hallam.
Reminder of title:	developing and sustaining musical possible selves /
Author:	Creech, Andrea.
other author:	Varvarigou, Maria.
Published:	Cham :Springer International Publishing :2020.
Description:	x, 281 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	MusicInstruction and study.
Online resource:	https://doi.org/10.1007/978-3-030-48262-6
ISBN:	9783030482626$q(electronic bk.)

Contexts for music learning and participationdeveloping and sustaining musical possible selves /
Creech, Andrea.

Contexts for music learning and participationdeveloping and sustaining musical possible selves /[electronic resource] :by Andrea Creech, Maria Varvarigou, Susan Hallam. - Cham :Springer International Publishing :2020. - x, 281 p. :ill., digital ;24 cm.

Chapter 1. Introduction -- Chapter 2. Shaping musical possible selves in the Early Years -- Chapter 3. Emergent musical possible selves in primary school -- Chapter 4. Secondary schools and their role to play in musical possible selves -- Chapter 5. The role of further and higher education in shaping musical possible selves -- Chapter 6. Musical possible selves in extra-curricular ensembles and instrumental and vocal tuition -- Chapter 7. Lifelong musical possible selves: Adult music learning and participation -- Chapter 8. Supporting musical possible selves in programmes with social aims -- Chapter 9. The emergence of musical possible selves through musical learning in the home -- Chapter 10. Peer learning and the construction of musical possible selves -- Chapter 11. Musical possible selves and self-directed music learning across the lifespan -- Chapter 12. Developing musical possible selves through learning with technology and social media.

Susan Hallam is Professor Emerita at the UCL Institute of Education, UK. Her research interests in music include practising, performing, musical ability, musical understanding and the wider impact of engagement with music. Andrea Creech is Professor of Didactique Instrumentale at the Faculty of Music, Universite Laval, Canada, where she holds a Canada Research Chair in music in community. Her current research and teaching focuses on collaborative learning, music for social development, and creative ageing in and through music. Maria Varvarigou is Lecturer in Music at Mary Immaculate College, Ireland. Her research interests focus on playing by ear and informal learning, intergenerational music making and choral conducting education. This book sets out a contemporary perspective on music education, highlighting complex intersections between informal, non-formal and formal practices and contexts. At a time when the boundaries between music learning and participation are increasingly blurred, this volume is distinctive in challenging a 'siloed' approach to understanding the diverse international music education landscape. Instead, the book proposes a multi-layered continuum of practices that can be applied across a range of formal, informal or non-formal concepts to support the development of musical possible selves. It challenges existing conceptions of learning in music education in part by drawing on research in adult learning, but also by considering the contexts in which learning takes place, and the extent to which this learning can be classified as formal, informal or non-formal.

ISBN: 9783030482626$q(electronic bk.)

Standard No.: 10.1007/978-3-030-48262-6doiSubjects--Topical Terms:

287131
Music
--Instruction and study.

LC Class. No.: MT1 / .C744 2020

Dewey Class. No.: 780.71

Contexts for music learning and participationdeveloping and sustaining musical possible selves /
LDR:03623nmm a2200337 a 4500 001 583592
003 DE-He213
005 20201112104955.0
006 m d
007 cr nn 008maaau
008 210202s2020 sz s 0 eng d
020 $a 9783030482626$q(electronic bk.)
020 $a 9783030482619$q(paper)
024 7 $a 10.1007/978-3-030-48262-6 $2 doi
035 $a 978-3-030-48262-6
040 $a GP $c GP
041 0 $a eng
050 4 $a MT1 $b .C744 2020
072 7 $a JNU $2 bicssc
072 7 $a EDU029050 $2 bisacsh
072 7 $a JNU $2 thema
072 7 $a A $2 thema
082 0 4 $a 780.71 $2 23
090 $a MT1 $b .C913 2020
100 1 $a Creech, Andrea. $3 874207
245 1 0 $a Contexts for music learning and participation $h [electronic resource] : $b developing and sustaining musical possible selves / $c by Andrea Creech, Maria Varvarigou, Susan Hallam.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a x, 281 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1. Introduction -- Chapter 2. Shaping musical possible selves in the Early Years -- Chapter 3. Emergent musical possible selves in primary school -- Chapter 4. Secondary schools and their role to play in musical possible selves -- Chapter 5. The role of further and higher education in shaping musical possible selves -- Chapter 6. Musical possible selves in extra-curricular ensembles and instrumental and vocal tuition -- Chapter 7. Lifelong musical possible selves: Adult music learning and participation -- Chapter 8. Supporting musical possible selves in programmes with social aims -- Chapter 9. The emergence of musical possible selves through musical learning in the home -- Chapter 10. Peer learning and the construction of musical possible selves -- Chapter 11. Musical possible selves and self-directed music learning across the lifespan -- Chapter 12. Developing musical possible selves through learning with technology and social media.
520 $a Susan Hallam is Professor Emerita at the UCL Institute of Education, UK. Her research interests in music include practising, performing, musical ability, musical understanding and the wider impact of engagement with music. Andrea Creech is Professor of Didactique Instrumentale at the Faculty of Music, Universite Laval, Canada, where she holds a Canada Research Chair in music in community. Her current research and teaching focuses on collaborative learning, music for social development, and creative ageing in and through music. Maria Varvarigou is Lecturer in Music at Mary Immaculate College, Ireland. Her research interests focus on playing by ear and informal learning, intergenerational music making and choral conducting education. This book sets out a contemporary perspective on music education, highlighting complex intersections between informal, non-formal and formal practices and contexts. At a time when the boundaries between music learning and participation are increasingly blurred, this volume is distinctive in challenging a 'siloed' approach to understanding the diverse international music education landscape. Instead, the book proposes a multi-layered continuum of practices that can be applied across a range of formal, informal or non-formal concepts to support the development of musical possible selves. It challenges existing conceptions of learning in music education in part by drawing on research in adult learning, but also by considering the contexts in which learning takes place, and the extent to which this learning can be classified as formal, informal or non-formal.
650 0 $a Music $x Instruction and study. $3 287131
650 1 4 $a Creativity and Arts Education. $3 760068
650 2 4 $a Learning & Instruction. $3 274699
650 2 4 $a Early Childhood Education. $3 758399
650 2 4 $a Lifelong Learning/Adult Education. $3 379784
700 1 $a Varvarigou, Maria. $3 874208
700 1 $a Hallam, Susan. $3 368454
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-48262-6
950 $a Education (SpringerNature-41171)