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Animation and memory

Muntean, Laszlo.

Animation and memory

Record Type:	Electronic resources : Monograph/item
Title/Author:	Animation and memoryedited by Maarten van Gageldonk, Laszlo Muntean, Ali Shobeiri.
other author:	van Gageldonk, Maarten.
Published:	Cham :Springer International Publishing :2020.
Description:	xviii, 257 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Animated filmsHistory and criticism.
Online resource:	https://doi.org/10.1007/978-3-030-34888-5
ISBN:	9783030348885$q(electronic bk.)

Animation and memory
Animation and memory[electronic resource] /edited by Maarten van Gageldonk, Laszlo Muntean, Ali Shobeiri. - Cham :Springer International Publishing :2020. - xviii, 257 p. :ill., digital ;24 cm. - Palgrave animation,2523-8086. - Palgrave animation..

INTRODUCTION -- Laszlo Muntean, Ali Shobeiri, Maarten van Gageldonk -- PART I MEMORY AND MATERIALITY -- 1. Memoria Rerum: Animated Materiality, Memory and Amnesia -- Suzanne Buchan -- 2. Collaging Cultural Memory: Appropriation, Memory and Gender in the Films of Stacey Steers -- Maarten van Gageldonk -- 3. Animating Amnesia: The Materiality of Forgetting in Izabela Plucinska's Liebling -- Laszlo Muntean -- PART II ANIMATION TECHNIQUES AND MEMORY -- 4. A Printing Machine for the Memory': Stillness, Metamorphosis, and the Poiesis of Memory in Death and the Mother -- Nicholas Andrew Miller -- 5. Drawing on Memory: Layers of Association in Robert Breer's Animated Films -- Mirriam Harris -- 6. Beyond the Unrepresentable: Animation, Bodies and Holocaust Memory -- Victoria Grace Walden -- PART III TRAUMA AND THE BODY -- 7. Antumbral Memory: A Psychosomatic Phenomenon in the Phantom Limb -- Ali Shobeiri -- 8. Metamorphosis, Memory, and Trauma in Michele Cournoyer's The Hat -- Ruth Richards -- 9. Apocalypse, Amnesia, and Acknowledgement: Trauma and Memory in Animated Movies -- Oliver Scheid -- PART IV ANIMATING URBAN PASTS -- 10. Stan Douglas and the Animation of Vancouver's Urban Past -- Joel McKim -- 11. Cinema Emek, Cinema Labour, Cinema Travail: Revitalization of Istanbul's Urban Past and the Cultural Memory of Protest -- Cansu Soyupak -- PART V DOCUMENTARY AND ANIMATION -- 12. 'However it affects you, it does not have to hold you back': Animated Personal Accounts in My Autism and Me and the Genealogy of the Neurobiological Subject -- Hannah Ebben -- 13. Animated Memories -- Annabelle Honess Roe.

This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting. By doing so, it establishes a platform for the cross-fertilization between the burgeoning fields of animation studies and memory studies. By analyzing a wide range of different animation types, from stop motion to computer animation, and from cell animated cartoons to painted animation, this book explores the ways in which animation can function as a representational medium. The five parts of the book discuss the interrelation of animation and memory through the lens of materiality, corporeality, animation techniques, the city, and animated documentaries. These discussions raise a number of questions: how do animation films bring forth personal and collective pasts? What is the role of found footage, objects, and sound in the material and affective dimensions of animation? How does animation serve political ends? The essays in this volume offer answers to these questions through a wide variety of case studies and contexts. The book will appeal to both a broad academic and a more general readership with an interest in animation studies, memory studies, cultural studies, comparative visual arts, and media studies.

ISBN: 9783030348885$q(electronic bk.)

Standard No.: 10.1007/978-3-030-34888-5doiSubjects--Topical Terms:

481463
Animated films
--History and criticism.

LC Class. No.: NC1765 / .A55 2020

Dewey Class. No.: 791.4334

Animation and memory
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505 0 $a INTRODUCTION -- Laszlo Muntean, Ali Shobeiri, Maarten van Gageldonk -- PART I MEMORY AND MATERIALITY -- 1. Memoria Rerum: Animated Materiality, Memory and Amnesia -- Suzanne Buchan -- 2. Collaging Cultural Memory: Appropriation, Memory and Gender in the Films of Stacey Steers -- Maarten van Gageldonk -- 3. Animating Amnesia: The Materiality of Forgetting in Izabela Plucinska's Liebling -- Laszlo Muntean -- PART II ANIMATION TECHNIQUES AND MEMORY -- 4. A Printing Machine for the Memory': Stillness, Metamorphosis, and the Poiesis of Memory in Death and the Mother -- Nicholas Andrew Miller -- 5. Drawing on Memory: Layers of Association in Robert Breer's Animated Films -- Mirriam Harris -- 6. Beyond the Unrepresentable: Animation, Bodies and Holocaust Memory -- Victoria Grace Walden -- PART III TRAUMA AND THE BODY -- 7. Antumbral Memory: A Psychosomatic Phenomenon in the Phantom Limb -- Ali Shobeiri -- 8. Metamorphosis, Memory, and Trauma in Michele Cournoyer's The Hat -- Ruth Richards -- 9. Apocalypse, Amnesia, and Acknowledgement: Trauma and Memory in Animated Movies -- Oliver Scheid -- PART IV ANIMATING URBAN PASTS -- 10. Stan Douglas and the Animation of Vancouver's Urban Past -- Joel McKim -- 11. Cinema Emek, Cinema Labour, Cinema Travail: Revitalization of Istanbul's Urban Past and the Cultural Memory of Protest -- Cansu Soyupak -- PART V DOCUMENTARY AND ANIMATION -- 12. 'However it affects you, it does not have to hold you back': Animated Personal Accounts in My Autism and Me and the Genealogy of the Neurobiological Subject -- Hannah Ebben -- 13. Animated Memories -- Annabelle Honess Roe.
520 $a This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting. By doing so, it establishes a platform for the cross-fertilization between the burgeoning fields of animation studies and memory studies. By analyzing a wide range of different animation types, from stop motion to computer animation, and from cell animated cartoons to painted animation, this book explores the ways in which animation can function as a representational medium. The five parts of the book discuss the interrelation of animation and memory through the lens of materiality, corporeality, animation techniques, the city, and animated documentaries. These discussions raise a number of questions: how do animation films bring forth personal and collective pasts? What is the role of found footage, objects, and sound in the material and affective dimensions of animation? How does animation serve political ends? The essays in this volume offer answers to these questions through a wide variety of case studies and contexts. The book will appeal to both a broad academic and a more general readership with an interest in animation studies, memory studies, cultural studies, comparative visual arts, and media studies.
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