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Class on screenthe global work class...

Attfield, Sarah.

Class on screenthe global work class in contemporary cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Class on screenby Sarah Attfield.
Reminder of title:	the global work class in contemporary cinema /
Author:	Attfield, Sarah.
Published:	Cham :Springer International Publishing :2020.
Description:	ix, 213 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Working class in motion pictures.
Online resource:	https://doi.org/10.1007/978-3-030-45901-7
ISBN:	9783030459017$q(electronic bk.)

Class on screenthe global work class in contemporary cinema /
Attfield, Sarah.

Class on screenthe global work class in contemporary cinema /[electronic resource] :by Sarah Attfield. - Cham :Springer International Publishing :2020. - ix, 213 p. :ill., digital ;24 cm.

Chapter 1: Introduction -- Chapter 2: Work and Unemployment -- Chapter 3: Working-Class Culture -- Chapter 4: Immigration and Diaspora -- Chapter 5: Gender and Sexualities -- Chapter 6: Race and Class in Australian Indigenous Film -- Chapter 7: Afterword.

This book provides an analysis of the global working class on film and considers the ways in which working-class experience is represented in film around the world. The book argues that representation is important because it shapes the way people understand working-class experience and can either reinforce or challenge stereotypical depictions. Film can shape and shift discussions of class, and this book provides an interdisciplinary study of the ways in which working-class experience is portrayed through this medium. It analyses the impact of contemporary films such as Sorry To Bother You, This is England and Le Harve that focus on working class life. Attfield demonstrates that the global working class are characterised by diversity of race, ethnicity, gender, religion and sexuality but that there are commonalities of experience despite geographical distance and cultural difference. The book is structured around themes such as work, culture, diasporas, gender and sexuality, and race.

ISBN: 9783030459017$q(electronic bk.)

Standard No.: 10.1007/978-3-030-45901-7doiSubjects--Topical Terms:

351739
Working class in motion pictures.

LC Class. No.: PN1995.9.L28 / A884 2020

Dewey Class. No.: 791.43652624

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505 0 $a Chapter 1: Introduction -- Chapter 2: Work and Unemployment -- Chapter 3: Working-Class Culture -- Chapter 4: Immigration and Diaspora -- Chapter 5: Gender and Sexualities -- Chapter 6: Race and Class in Australian Indigenous Film -- Chapter 7: Afterword.
520 $a This book provides an analysis of the global working class on film and considers the ways in which working-class experience is represented in film around the world. The book argues that representation is important because it shapes the way people understand working-class experience and can either reinforce or challenge stereotypical depictions. Film can shape and shift discussions of class, and this book provides an interdisciplinary study of the ways in which working-class experience is portrayed through this medium. It analyses the impact of contemporary films such as Sorry To Bother You, This is England and Le Harve that focus on working class life. Attfield demonstrates that the global working class are characterised by diversity of race, ethnicity, gender, religion and sexuality but that there are commonalities of experience despite geographical distance and cultural difference. The book is structured around themes such as work, culture, diasporas, gender and sexuality, and race.
650 0 $a Working class in motion pictures. $3 351739
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