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Experimental film and photochemical ...
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Knowles, Kim.
Experimental film and photochemical practices
Record Type:
Electronic resources : Monograph/item
Title/Author:
Experimental film and photochemical practicesby Kim Knowles.
Author:
Knowles, Kim.
Published:
Cham :Springer International Publishing :2020.
Description:
xv, 255 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
Subject:
Cinematography.
Online resource:
https://doi.org/10.1007/978-3-030-44309-2
ISBN:
9783030443092$q(electronic bk.)
Experimental film and photochemical practices
Knowles, Kim.
Experimental film and photochemical practices
[electronic resource] /by Kim Knowles. - Cham :Springer International Publishing :2020. - xv, 255 p. :ill., digital ;24 cm. - Experimental film and artists' moving image,2523-7527. - Experimental film and artists' moving image..
Introduction -- Chapter 1: From Materialist Film to New Materialism -- Chapter 2: The Politics of Process -- Chapter 3: Expanded Cinema and Material Excess -- Chapter 4: Alternative Communities -- Chapter 5: The Dialectics of Old and New -- Conclusion.
This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology.
ISBN: 9783030443092$q(electronic bk.)
Standard No.: 10.1007/978-3-030-44309-2doiSubjects--Topical Terms:
350864
Cinematography.
LC Class. No.: PN1995.9.E96 / K569 2020
Dewey Class. No.: 791.43611
Experimental film and photochemical practices
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Introduction -- Chapter 1: From Materialist Film to New Materialism -- Chapter 2: The Politics of Process -- Chapter 3: Expanded Cinema and Material Excess -- Chapter 4: Alternative Communities -- Chapter 5: The Dialectics of Old and New -- Conclusion.
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This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology.
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Literature, Cultural and Media Studies (SpringerNature-41173)
based on 0 review(s)
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電子館藏
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EB PN1995.9.E96 K73 2020 2020
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https://doi.org/10.1007/978-3-030-44309-2
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