國立高雄大學圖資館 |

Language: English

Back

Online music distribution - how much...

Malevanny, Nikita.

Online music distribution - how much exclusivity is needed?a study of international, european, german and U.S. copyright systems and their objectives /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Online music distribution - how much exclusivity is needed?by Nikita Malevanny.
Reminder of title:	a study of international, european, german and U.S. copyright systems and their objectives /
Author:	Malevanny, Nikita.
Published:	Berlin, Heidelberg :Springer Berlin Heidelberg :2019.
Description:	xxix, 423 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Music tradeLaw and legislation.
Online resource:	https://doi.org/10.1007/978-3-662-59699-9
ISBN:	9783662596999$q(electronic bk.)

Online music distribution - how much exclusivity is needed?a study of international, european, german and U.S. copyright systems and their objectives /
Malevanny, Nikita.

Online music distribution - how much exclusivity is needed?a study of international, european, german and U.S. copyright systems and their objectives /[electronic resource] :by Nikita Malevanny. - Berlin, Heidelberg :Springer Berlin Heidelberg :2019. - xxix, 423 p. :ill., digital ;24 cm. - Munich studies on innovation and competition,v.122199-7462 ;. - Munich studies on innovation and competition ;v.1..

Introduction -- Part I -- Online Music Distribution: Current Legal Situation -- Relevant Online Music Uses -- Relevant Rights and Their Applicability to Online Music Uses -- Limits to Exclusive Rights in the Internal Relationship between Original and Derivative Rightholders -- Limits of the Possibility to Exclude -- CRM in the Field of OMD -- Current Regimes of Exclusivity in the OMD Field in Germany and in the U.S -- Part II -- Compatibility of Current Regimes of Exclusivity with Regulatory Objectives in the Field of OMD -- Promoting Creation of New Musical Subject-Matter -- Rewarding Rightholders -- Promoting a Level Playing Field among Rightholders -- Promoting Dissemination of Musical Subject-Matter -- Further Objectives -- Conclusion on Compatibility of Current Regimes of Exclusivity with Regulatory Objectives in the Field of OMD -- Part III -- Policy Recommendations and Conclusion -- Policy Recommendations on Regulating Exclusivity in the Field of OMD -- Conclusion.

This book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In order to do so, the book takes a deep dive into the provisions of international treaties, EU Directives as well as the German and US copyright systems and case law. It subsequently scrutinizes the identified regulatory models from the standpoint of the copyright's objectives with regard to incentives, rewards, a level playing field, and dissemination. Lastly, it endorses the improved market-based statutory license as a preferable instrument in the online music field. The book is intended for all readers with an interest in music copyright law. Part I will especially benefit copyright scholars and practitioners seeking in-depth insights into the current legal situation regarding streaming and downloading. In turn, Part II will above all appeal to scholars interested in "law and economics" and in the theoretical foundations of online music copyright. Policy recommendations can be found in Part III.

ISBN: 9783662596999$q(electronic bk.)

Standard No.: 10.1007/978-3-662-59699-9doiSubjects--Topical Terms:

673724
Music trade
--Law and legislation.

LC Class. No.: K1450 / .M35 2019

Dewey Class. No.: 346.048

Online music distribution - how much exclusivity is needed?a study of international, european, german and U.S. copyright systems and their objectives /
LDR:03241nmm a2200337 a 4500 001 587152
003 DE-He213
005 20200705090244.0
006 m d
007 cr nn 008maaau
008 210326s2019 gw s 0 eng d
020 $a 9783662596999$q(electronic bk.)
020 $a 9783662596982$q(paper)
024 7 $a 10.1007/978-3-662-59699-9 $2 doi
035 $a 978-3-662-59699-9
040 $a GP $c GP
041 0 $a eng
050 4 $a K1450 $b .M35 2019
072 7 $a LNJ $2 bicssc
072 7 $a LAW000000 $2 bisacsh
072 7 $a LNJ $2 thema
082 0 4 $a 346.048 $2 23
090 $a K1450 $b .M248 2019
100 1 $a Malevanny, Nikita. $3 878693
245 1 0 $a Online music distribution - how much exclusivity is needed? $h [electronic resource] : $b a study of international, european, german and U.S. copyright systems and their objectives / $c by Nikita Malevanny.
260 $a Berlin, Heidelberg : $b Springer Berlin Heidelberg : $b Imprint: Springer, $c 2019.
300 $a xxix, 423 p. : $b ill., digital ; $c 24 cm.
490 1 $a Munich studies on innovation and competition, $x 2199-7462 ; $v v.12
505 0 $a Introduction -- Part I -- Online Music Distribution: Current Legal Situation -- Relevant Online Music Uses -- Relevant Rights and Their Applicability to Online Music Uses -- Limits to Exclusive Rights in the Internal Relationship between Original and Derivative Rightholders -- Limits of the Possibility to Exclude -- CRM in the Field of OMD -- Current Regimes of Exclusivity in the OMD Field in Germany and in the U.S -- Part II -- Compatibility of Current Regimes of Exclusivity with Regulatory Objectives in the Field of OMD -- Promoting Creation of New Musical Subject-Matter -- Rewarding Rightholders -- Promoting a Level Playing Field among Rightholders -- Promoting Dissemination of Musical Subject-Matter -- Further Objectives -- Conclusion on Compatibility of Current Regimes of Exclusivity with Regulatory Objectives in the Field of OMD -- Part III -- Policy Recommendations and Conclusion -- Policy Recommendations on Regulating Exclusivity in the Field of OMD -- Conclusion.
520 $a This book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In order to do so, the book takes a deep dive into the provisions of international treaties, EU Directives as well as the German and US copyright systems and case law. It subsequently scrutinizes the identified regulatory models from the standpoint of the copyright's objectives with regard to incentives, rewards, a level playing field, and dissemination. Lastly, it endorses the improved market-based statutory license as a preferable instrument in the online music field. The book is intended for all readers with an interest in music copyright law. Part I will especially benefit copyright scholars and practitioners seeking in-depth insights into the current legal situation regarding streaming and downloading. In turn, Part II will above all appeal to scholars interested in "law and economics" and in the theoretical foundations of online music copyright. Policy recommendations can be found in Part III.
650 0 $a Music trade $x Law and legislation. $3 673724
650 0 $a Music and the Internet. $3 283214
650 0 $a Music $x Law and legislation. $3 673723
650 1 4 $a IT Law, Media Law, Intellectual Property. $3 823867
650 2 4 $a Private International Law, International & Foreign Law, Comparative Law. $3 530877
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a Munich studies on innovation and competition ; $v v.1. $3 711384
856 4 0 $u https://doi.org/10.1007/978-3-662-59699-9
950 $a Law and Criminology (SpringerNature-41177)