國立高雄大學圖資館 |

Language: English

Back

Cinematic intermedialities and conte...

SpringerLink (Online service)

Cinematic intermedialities and contemporary Holocaust memory

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cinematic intermedialities and contemporary Holocaust memoryby Victoria Grace Walden.
Author:	Walden, Victoria Grace.
Published:	Cham :Springer International Publishing :2019.
Description:	ix, 217 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Historical filmsHistory and criticism.
Online resource:	https://doi.org/10.1007/978-3-030-10877-9
ISBN:	9783030108779$q(electronic bk.)

Cinematic intermedialities and contemporary Holocaust memory
Walden, Victoria Grace.

Cinematic intermedialities and contemporary Holocaust memory[electronic resource] /by Victoria Grace Walden. - Cham :Springer International Publishing :2019. - ix, 217 p. :ill., digital ;24 cm.

1. Introduction -- 2. Holocaust Film Beyond Representation -- 3. The Archive, Assemblage and Archaeology -- 4. Animation, Assemblage, the Affection-Form -- 5. Digital Augmentation, Assemblage, the Actual and the Virtual -- 6. Epilogue.

This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory.

ISBN: 9783030108779$q(electronic bk.)

Standard No.: 10.1007/978-3-030-10877-9doiSubjects--Topical Terms:

181376
Historical films
--History and criticism.

LC Class. No.: PN1995.9.H5 / W35 2019

Dewey Class. No.: 791.43658

Cinematic intermedialities and contemporary Holocaust memory
LDR:02300nmm a2200325 a 4500 001 587165
003 DE-He213
005 20200705225712.0
006 m d
007 cr nn 008maaau
008 210326s2019 sz s 0 eng d
020 $a 9783030108779$q(electronic bk.)
020 $a 9783030108762$q(paper)
024 7 $a 10.1007/978-3-030-10877-9 $2 doi
035 $a 978-3-030-10877-9
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.H5 $b W35 2019
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.43658 $2 23
090 $a PN1995.9.H5 $b W162 2019
100 1 $a Walden, Victoria Grace. $3 878715
245 1 0 $a Cinematic intermedialities and contemporary Holocaust memory $h [electronic resource] / $c by Victoria Grace Walden.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a ix, 217 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Holocaust Film Beyond Representation -- 3. The Archive, Assemblage and Archaeology -- 4. Animation, Assemblage, the Affection-Form -- 5. Digital Augmentation, Assemblage, the Actual and the Virtual -- 6. Epilogue.
520 $a This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory.
650 0 $a Historical films $x History and criticism. $3 181376
650 0 $a Holocaust, Jewish (1939-1945), in motion pictures. $3 565234
650 0 $a Collective memory and motion pictures. $3 823389
650 1 4 $a European Cinema and TV. $3 825873
650 2 4 $a History of World War II and the Holocaust. $3 739867
650 2 4 $a Memory Studies. $3 750144
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-10877-9
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)