Language:
English
繁體中文
Help
圖資館首頁
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Xiangsheng and the emergence of Guo ...
~
Cai, Shenshen.
Xiangsheng and the emergence of Guo Degang in contemporary China
Record Type:
Electronic resources : Monograph/item
Title/Author:
Xiangsheng and the emergence of Guo Degang in contemporary Chinaby Shenshen Cai, Emily Dunn.
Author:
Cai, Shenshen.
other author:
Dunn, Emily.
Published:
Singapore :Springer Singapore :2020.
Description:
ix, 146 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
Subject:
Xiang sheng.
Online resource:
https://doi.org/10.1007/978-981-15-8116-8
ISBN:
9789811581168$q(electronic bk.)
Xiangsheng and the emergence of Guo Degang in contemporary China
Cai, Shenshen.
Xiangsheng and the emergence of Guo Degang in contemporary China
[electronic resource] /by Shenshen Cai, Emily Dunn. - Singapore :Springer Singapore :2020. - ix, 146 p. :ill., digital ;24 cm.
Chapter 1. Xiangsheng in the People's Republic of China, 1949-1976 -- Chapter 2. Xiangsheng 1976-2000 -- Chapter 3. The revival of Xiangsheng in the new millennium -- Chapter 4. Guo Degang's counter-official xiangsheng performance -- Chapter 5. Deyun Club holds up half the sky of xiangsheng performance -- Chapter 6. Guo Degang as a grassroots cultural hero -- Chapter 7. Concluding remarks.
This book explores xiangsheng, one of the most popular folk art performance genres in China, its enlistment by official propaganda machine after the founding of the People's Republic of China (PRC) and its revival in popularity under Guo Degang and his Deyun Club. Just as the 1950's saw the shift of xiangsheng 's social function from entertainment to the political tool of 'serving the party', Guo Degang has completed the paradigm shift by turning its focus back to 'serving the people' as a means of entertainment and social criticism. This volume examines how Guo has resurrected the essence of xiangsheng, successfully commercialised it in a market economy, and simultaneously deconstructed the official discourse through grassroots means. Shenshen Cai is a senior lecturer with Swinburne University of Technology in Australia, teaching Chinese and Chinese culture related courses. She completed her PhD in contemporary Chinese culture studies with the School of Humanities at Griffith University and has a broad research interest in contemporary Chinese literature, film, theatre and folklore studies. Shenshen is the sole author of State Propaganda in China's Entertainment Industry (2016), Television Drama in Contemporary China: Political, Social and Cultural Phenomena (2016) and Contemporary Chinese Films and Celebrity Directors (Palgrave Macmillan 2017), and editor of Female Celebrities in Contemporary Chinese Society (Palgrave Macmillan 2019) Emily Dunn is a Sessional Lecturer at Swinburne University of Technology, Australia. She is the author of Lightning from the East: Heterodoxy and Christianity in Contemporary China (Brill 2015) Her research articles have also appeared in the journals Modern China and East Asian History, among others. Emily received her PhD from the University of Melbourne's Asia Institute. Her research interests include celebrity and religion in contemporary China.
ISBN: 9789811581168$q(electronic bk.)
Standard No.: 10.1007/978-981-15-8116-8doiSubjects--Personal Names:
880662
Guo, Degang.
Subjects--Topical Terms:
880664
Xiang sheng.
LC Class. No.: PN2874.5.H75 / C357 2020
Dewey Class. No.: 792.70951
Xiangsheng and the emergence of Guo Degang in contemporary China
LDR
:03337nmm a2200325 a 4500
001
588983
003
DE-He213
005
20210203150738.0
006
m d
007
cr nn 008maaau
008
210525s2020 si s 0 eng d
020
$a
9789811581168$q(electronic bk.)
020
$a
9789811581151$q(paper)
024
7
$a
10.1007/978-981-15-8116-8
$2
doi
035
$a
978-981-15-8116-8
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
PN2874.5.H75
$b
C357 2020
072
7
$a
ASZB
$2
bicssc
072
7
$a
PER015000
$2
bisacsh
072
7
$a
ATXD
$2
thema
082
0 4
$a
792.70951
$2
23
090
$a
PN2874.5.H75
$b
C133 2020
100
1
$a
Cai, Shenshen.
$3
775993
245
1 0
$a
Xiangsheng and the emergence of Guo Degang in contemporary China
$h
[electronic resource] /
$c
by Shenshen Cai, Emily Dunn.
260
$a
Singapore :
$b
Springer Singapore :
$b
Imprint: Palgrave Macmillan,
$c
2020.
300
$a
ix, 146 p. :
$b
ill., digital ;
$c
24 cm.
505
0
$a
Chapter 1. Xiangsheng in the People's Republic of China, 1949-1976 -- Chapter 2. Xiangsheng 1976-2000 -- Chapter 3. The revival of Xiangsheng in the new millennium -- Chapter 4. Guo Degang's counter-official xiangsheng performance -- Chapter 5. Deyun Club holds up half the sky of xiangsheng performance -- Chapter 6. Guo Degang as a grassroots cultural hero -- Chapter 7. Concluding remarks.
520
$a
This book explores xiangsheng, one of the most popular folk art performance genres in China, its enlistment by official propaganda machine after the founding of the People's Republic of China (PRC) and its revival in popularity under Guo Degang and his Deyun Club. Just as the 1950's saw the shift of xiangsheng 's social function from entertainment to the political tool of 'serving the party', Guo Degang has completed the paradigm shift by turning its focus back to 'serving the people' as a means of entertainment and social criticism. This volume examines how Guo has resurrected the essence of xiangsheng, successfully commercialised it in a market economy, and simultaneously deconstructed the official discourse through grassroots means. Shenshen Cai is a senior lecturer with Swinburne University of Technology in Australia, teaching Chinese and Chinese culture related courses. She completed her PhD in contemporary Chinese culture studies with the School of Humanities at Griffith University and has a broad research interest in contemporary Chinese literature, film, theatre and folklore studies. Shenshen is the sole author of State Propaganda in China's Entertainment Industry (2016), Television Drama in Contemporary China: Political, Social and Cultural Phenomena (2016) and Contemporary Chinese Films and Celebrity Directors (Palgrave Macmillan 2017), and editor of Female Celebrities in Contemporary Chinese Society (Palgrave Macmillan 2019) Emily Dunn is a Sessional Lecturer at Swinburne University of Technology, Australia. She is the author of Lightning from the East: Heterodoxy and Christianity in Contemporary China (Brill 2015) Her research articles have also appeared in the journals Modern China and East Asian History, among others. Emily received her PhD from the University of Melbourne's Asia Institute. Her research interests include celebrity and religion in contemporary China.
600
1 0
$a
Guo, Degang.
$3
880662
650
0
$a
Xiang sheng.
$3
880664
650
1 4
$a
Comedy Studies.
$3
825893
650
2 4
$a
History of China.
$3
753551
650
2 4
$a
Cultural Studies.
$3
561258
700
1
$a
Dunn, Emily.
$3
880663
710
2
$a
SpringerLink (Online service)
$3
273601
773
0
$t
Springer Nature eBook
856
4 0
$u
https://doi.org/10.1007/978-981-15-8116-8
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
based on 0 review(s)
ALL
電子館藏
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
000000191520
電子館藏
1圖書
電子書
EB PN2874.5.H75 C133 2020 2020
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Multimedia file
https://doi.org/10.1007/978-981-15-8116-8
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login