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Limits and languages in contemporary...
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Limits and languages in contemporary Irish women's poetry
Record Type:
Electronic resources : Monograph/item
Title/Author:
Limits and languages in contemporary Irish women's poetryby Daniela Theinova.
Author:
Theinova, Daniela.
Published:
Cham :Springer International Publishing :2020.
Description:
xi, 281 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
Subject:
Irish poetryWomen authors
Online resource:
https://doi.org/10.1007/978-3-030-55954-0
ISBN:
9783030559540$q(electronic bk.)
Limits and languages in contemporary Irish women's poetry
Theinova, Daniela.
Limits and languages in contemporary Irish women's poetry
[electronic resource] /by Daniela Theinova. - Cham :Springer International Publishing :2020. - xi, 281 p. :ill., digital ;24 cm. - New directions in Irish and Irish American literature. - New directions in Irish and Irish American literature..
1. Introduction: Uncertain Identities -- 2. Part I: NEW LANDS FOR NEW WORDS -- 3. Revolutionary Laughter: Irish Poets Dismantling Old Icons and Shibboleths -- 4. Figures in a Landscape: Women on Language, Land and Desire -- 5. Part II: SECRET SCRIPTS -- 6. The Muse in Question: Tropes of Inspiration Revisited -- 7. Poetry of Silence: Rhetorical Concealment and the Possibility of Speech -- 8. Kinds of Between: The Margin as a Mainspring -- 9. Original in Translation: Poets between Languages -- 10. In and Out of Ireland: New Poets and New Places -- 11. Conclusion: Feminism after Poetry.
Limits and Languages in Contemporary Irish Women's Poetry examines the transactions between the two main languages of Irish literature, English and Irish, and their formative role in contemporary poetry by Irish women. Daniela Theinova explores the works of well-known poets such as Eavan Boland, Eilean Ni Chuilleanain, Nuala Ni Dhomhnaill, Biddy Jenkinson and Medbh McGuckian, combining for the first time a critical analysis of the language issue with a focus on the historical marginality of women in the Irish literary tradition. Acutely alert to the textures of individual poems even as she reads these against broader critical-theoretical horizons, Theinova engages directly with texts in both Irish and English. By highlighting these writers' uneasy poetic and linguistic identity, and by introducing into this wider context some more recent poets-including Vona Groarke, Caitriona O'Reilly, Sinead Morrissey, Ailbhe Darcy and Aifric Mac Aodha-this book proposes a fundamental critical reconsideration of major late-twentieth-century Irish women poets, and, by extension, the nation's canon.
ISBN: 9783030559540$q(electronic bk.)
Standard No.: 10.1007/978-3-030-55954-0doiSubjects--Topical Terms:
880666
Irish poetry
--Women authors
LC Class. No.: PR8733 / .T44 2020
Dewey Class. No.: 821.91409928709415
Limits and languages in contemporary Irish women's poetry
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1. Introduction: Uncertain Identities -- 2. Part I: NEW LANDS FOR NEW WORDS -- 3. Revolutionary Laughter: Irish Poets Dismantling Old Icons and Shibboleths -- 4. Figures in a Landscape: Women on Language, Land and Desire -- 5. Part II: SECRET SCRIPTS -- 6. The Muse in Question: Tropes of Inspiration Revisited -- 7. Poetry of Silence: Rhetorical Concealment and the Possibility of Speech -- 8. Kinds of Between: The Margin as a Mainspring -- 9. Original in Translation: Poets between Languages -- 10. In and Out of Ireland: New Poets and New Places -- 11. Conclusion: Feminism after Poetry.
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Limits and Languages in Contemporary Irish Women's Poetry examines the transactions between the two main languages of Irish literature, English and Irish, and their formative role in contemporary poetry by Irish women. Daniela Theinova explores the works of well-known poets such as Eavan Boland, Eilean Ni Chuilleanain, Nuala Ni Dhomhnaill, Biddy Jenkinson and Medbh McGuckian, combining for the first time a critical analysis of the language issue with a focus on the historical marginality of women in the Irish literary tradition. Acutely alert to the textures of individual poems even as she reads these against broader critical-theoretical horizons, Theinova engages directly with texts in both Irish and English. By highlighting these writers' uneasy poetic and linguistic identity, and by introducing into this wider context some more recent poets-including Vona Groarke, Caitriona O'Reilly, Sinead Morrissey, Ailbhe Darcy and Aifric Mac Aodha-this book proposes a fundamental critical reconsideration of major late-twentieth-century Irish women poets, and, by extension, the nation's canon.
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