國立高雄大學圖資館 |

Language: English

Back

Revolutionary romanticism and cinema...

Dave, Paul.

Revolutionary romanticism and cinemacountry, land, people /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Revolutionary romanticism and cinemaby Paul Dave.
Reminder of title:	country, land, people /
Author:	Dave, Paul.
Published:	Cham :Springer International Publishing :2020.
Description:	xi, 128 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Motion picturesHistory.Great Britain
Subject:	Great BritainEconomic policy1979-1997.
Online resource:	https://doi.org/10.1007/978-3-030-59646-0
ISBN:	9783030596460$q(electronic bk.)

Revolutionary romanticism and cinemacountry, land, people /
Dave, Paul.

Revolutionary romanticism and cinemacountry, land, people /[electronic resource] :by Paul Dave. - Cham :Springer International Publishing :2020. - xi, 128 p. :ill., digital ;24 cm.

1.Introduction -- 2.Conservative Romanticism and the Country: Powell and Pressburger -- 3.Restitutionist Romanticism: Searching for Lost Lands -- 4.Romantic Revolutionary Historiography: The People and the Commons.

This book stages an encounter between conflicting varieties of cinematic romanticism and different forms of history writing. Focused primarily on British cinema and examples of mainstream Hollywood cinema that have significant historical relationships to British and English culture and history, it is configured, loosely, around three key emblematic motifs - country, land, people - that are simultaneously core values and rallying cries of distinctive varieties of conservative, restitutionist and revolutionary romanticism. Ultimately, the book seeks to establish the continuing relevance of the revolutionary romantic critique of capitalist modernity, as it surfaces in film, to pressing contemporary political concerns such as the fate of the proletariat, populism, Brexit post-nationalism, ecocide and the Anthropocene. Paul Dave has taught at the University of East London, UK, and latterly at Teesside University, UK, where he was Reader in Film and Cultural Theory. His research focuses on the representation of class and capitalism and he has published widely on British cinema and literature.

ISBN: 9783030596460$q(electronic bk.)

Standard No.: 10.1007/978-3-030-59646-0doiSubjects--Topical Terms:

351959
Motion pictures
--History.--Great BritainSubjects--Geographical Terms:

381151
Great Britain
--Economic policy--1979-1997.

LC Class. No.: PN1993.5.G7 / D38 2020

Dewey Class. No.: 791.4365841

Revolutionary romanticism and cinemacountry, land, people /
LDR:02322nmm a2200325 a 4500 001 589600
003 DE-He213
005 20210308132511.0
006 m d
007 cr nn 008maaau
008 210601s2020 sz s 0 eng d
020 $a 9783030596460$q(electronic bk.)
020 $a 9783030596453$q(paper)
024 7 $a 10.1007/978-3-030-59646-0 $2 doi
035 $a 978-3-030-59646-0
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.G7 $b D38 2020
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.4365841 $2 23
090 $a PN1993.5.G7 $b D246 2020
100 1 $a Dave, Paul. $3 881546
245 1 0 $a Revolutionary romanticism and cinema $h [electronic resource] : $b country, land, people / $c by Paul Dave.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Pivot, $c 2020.
300 $a xi, 128 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1.Introduction -- 2.Conservative Romanticism and the Country: Powell and Pressburger -- 3.Restitutionist Romanticism: Searching for Lost Lands -- 4.Romantic Revolutionary Historiography: The People and the Commons.
520 $a This book stages an encounter between conflicting varieties of cinematic romanticism and different forms of history writing. Focused primarily on British cinema and examples of mainstream Hollywood cinema that have significant historical relationships to British and English culture and history, it is configured, loosely, around three key emblematic motifs - country, land, people - that are simultaneously core values and rallying cries of distinctive varieties of conservative, restitutionist and revolutionary romanticism. Ultimately, the book seeks to establish the continuing relevance of the revolutionary romantic critique of capitalist modernity, as it surfaces in film, to pressing contemporary political concerns such as the fate of the proletariat, populism, Brexit post-nationalism, ecocide and the Anthropocene. Paul Dave has taught at the University of East London, UK, and latterly at Teesside University, UK, where he was Reader in Film and Cultural Theory. His research focuses on the representation of class and capitalism and he has published widely on British cinema and literature.
650 0 $a Motion pictures $z Great Britain $x History. $3 351959
650 0 $a Politics in motion pictures. $3 351815
650 0 $a Romanticism. $3 176748
650 1 4 $a British Cinema and TV. $3 838001
650 2 4 $a American Cinema and TV. $3 826537
651 0 $a Great Britain $x Economic policy $y 1979-1997. $3 381151
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-59646-0
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)