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Authenticity and belonging in the no...

Raine, Sarah.

Authenticity and belonging in the northern soul scenethe role of history and identity in a multigenerational music culture /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Authenticity and belonging in the northern soul sceneby Sarah Raine.
Reminder of title:	the role of history and identity in a multigenerational music culture /
Author:	Raine, Sarah.
Published:	Cham :Springer International Publishing :2020.
Description:	xiii, 207 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Soul musicSocial aspectsEngland, Northern
Online resource:	https://doi.org/10.1007/978-3-030-41364-4
ISBN:	9783030413644$q(electronic bk.)

Authenticity and belonging in the northern soul scenethe role of history and identity in a multigenerational music culture /
Raine, Sarah.

Authenticity and belonging in the northern soul scenethe role of history and identity in a multigenerational music culture /[electronic resource] :by Sarah Raine. - Cham :Springer International Publishing :2020. - xiii, 207 p. :ill., digital ;24 cm. - Palgrave studies in the history of subcultures and popular music,2730-9517. - Palgrave studies in the history of subcultures and popular music..

1. We Share the Floor -- 2. "Going to a Happening" -- 3. "Let's Talk It Over" -- 4. "I Got Something Good" -- 5. The History Lesson -- 6. "Back in the Day" -- 7. "I'm Where It's At" -- 8. "Hey Girl Don't Bother Me" -- 9. "A Little Togetherness".

This book, which builds on a three-year immersive ethnographic study, argues that what scene participants do and say within the northern soul scene constitutes a claim to belong. For younger members, making claims to belong is problematic in a scene where dominant notions of authenticity held by insiders are rooted in a particular past: the places, people, events, and soundscapes of particular venues during the 1970s. In order to engage with this past, young men and women participate in a range of discursive practices. This book argues that these practices, and the ways they intersect and deviate from dominant notions of authenticity, represent shared and individual negotiations of the 'true soulie'. In doing so, it reveals the rich experiences of the younger generation of this multigenerational music scene, and the ways they establish a claim to belong to a scene first formed before they were born.

ISBN: 9783030413644$q(electronic bk.)

Standard No.: 10.1007/978-3-030-41364-4doiSubjects--Topical Terms:

884466
Soul music
--Social aspects--England, Northern

LC Class. No.: ML3537 / .R35 2020

Dewey Class. No.: 781.64409427

Authenticity and belonging in the northern soul scenethe role of history and identity in a multigenerational music culture /
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520 $a This book, which builds on a three-year immersive ethnographic study, argues that what scene participants do and say within the northern soul scene constitutes a claim to belong. For younger members, making claims to belong is problematic in a scene where dominant notions of authenticity held by insiders are rooted in a particular past: the places, people, events, and soundscapes of particular venues during the 1970s. In order to engage with this past, young men and women participate in a range of discursive practices. This book argues that these practices, and the ways they intersect and deviate from dominant notions of authenticity, represent shared and individual negotiations of the 'true soulie'. In doing so, it reveals the rich experiences of the younger generation of this multigenerational music scene, and the ways they establish a claim to belong to a scene first formed before they were born.
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