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Mapping musical signification
~
Grimalt, Joan.
Mapping musical signification
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Mapping musical significationby Joan Grimalt.
作者:
Grimalt, Joan.
出版者:
Cham :Springer International Publishing :2020.
面頁冊數:
xxviii, 402 p. :ill. (some col.), digital ;24 cm.
Contained By:
Springer Nature eBook
標題:
MusicPhilosophy and aesthetics.
電子資源:
https://doi.org/10.1007/978-3-030-52496-8
ISBN:
9783030524968$q(electronic bk.)
Mapping musical signification
Grimalt, Joan.
Mapping musical signification
[electronic resource] /by Joan Grimalt. - Cham :Springer International Publishing :2020. - xxviii, 402 p. :ill. (some col.), digital ;24 cm. - Numanities - arts and humanities in progress,v.152510-442X ;. - Numanities - arts and humanities in progress ;v.1..
Introduction -- Chapter 1: Musical signs. Chapter 2: Madrigalisms, rhetorical figures -- Chapter 3: References, topoi. The classic 'mixed' style. A semiotic square -- Chapter 4: Sacred references -- Chapter 5: Martial references -- Chapter 6: Lyricism and pastoral -- Chapter 7: Dance references -- Chapter 8: Theatrical references.
This book is a unique attempt to systematize the latest research on all that music connotes. Musicological reflections on musically expressive content have been pursued for some decades now, in spite of the formalist prejudices that can still hindermusicians and music lovers. The author organizes this body of research so that both professionals and everyday listeners can benefit from it - in plain English, but without giving up the level of depth required by the subject matter. Two criteria have guided his choice among the many ways to speak about musical meaning: its relevance to performance, and its suitability to the teaching context. The legacy of the so-called art music, without an interpretive approach that links ancient traditions to our present, runs the risk of missing the link to the new generations of musicians and listeners. Complementing the theoretical, systematic content, each chapter includes a wealth of examples, including the so-called popular music.
ISBN: 9783030524968$q(electronic bk.)
Standard No.: 10.1007/978-3-030-52496-8doiSubjects--Topical Terms:
187642
Music
--Philosophy and aesthetics.
LC Class. No.: ML3920 / .G75 2020
Dewey Class. No.: 780.1
Mapping musical signification
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Introduction -- Chapter 1: Musical signs. Chapter 2: Madrigalisms, rhetorical figures -- Chapter 3: References, topoi. The classic 'mixed' style. A semiotic square -- Chapter 4: Sacred references -- Chapter 5: Martial references -- Chapter 6: Lyricism and pastoral -- Chapter 7: Dance references -- Chapter 8: Theatrical references.
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This book is a unique attempt to systematize the latest research on all that music connotes. Musicological reflections on musically expressive content have been pursued for some decades now, in spite of the formalist prejudices that can still hindermusicians and music lovers. The author organizes this body of research so that both professionals and everyday listeners can benefit from it - in plain English, but without giving up the level of depth required by the subject matter. Two criteria have guided his choice among the many ways to speak about musical meaning: its relevance to performance, and its suitability to the teaching context. The legacy of the so-called art music, without an interpretive approach that links ancient traditions to our present, runs the risk of missing the link to the new generations of musicians and listeners. Complementing the theoretical, systematic content, each chapter includes a wealth of examples, including the so-called popular music.
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