國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Art cinema and neoliberalism

Lykidis, Alex.

Art cinema and neoliberalism

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Art cinema and neoliberalismby Alex Lykidis.
作者:	Lykidis, Alex.
出版者:	Cham :Springer International Publishing :2020.
面頁冊數:	xii, 264 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Motion picturesPolitical aspects.
電子資源:	https://doi.org/10.1007/978-3-030-61006-7
ISBN:	9783030610067$q(electronic bk.)

Art cinema and neoliberalism
Lykidis, Alex.

Art cinema and neoliberalism[electronic resource] /by Alex Lykidis. - Cham :Springer International Publishing :2020. - xii, 264 p. :ill., digital ;24 cm. - Global cinema,2634-5951. - Global cinema..

1. Introduction: Art Cinema and the Aesthetics of Crisis -- Part I. Costs of Neoliberalism -- 2. Poetics of Debt: Disruptive Realism in Bamako and The Headless Woman -- Part II Politics of Neoliberalism -- 3. Crisis of Sovereignty: Anti-psychologism in Alps, Attenberg,Chevalier and Dogtooth -- 4. Return of the Oppressed: Complex Identification in A Separation -- Part III. Cultures of Neoliberalism -- 5. Political Exclusion and Cultural Difference: Challenging Objectivity in The Class and The Secret of the Grain -- 6. Multiculturalism as Class Trauma: Antagonistic Authorship in Cache, Code Unknown, Happy End and Time of the Wolf -- 7. Afterword.

"This is an important, urgent study, pursued with energy and acuity. Well-grounded in both geopolitical contexts and critical theory, the book offers sharp and insightful analyses of art cinema from Mali, Argentina, Greece, Iran, and France. Always engaging and readable, this is an excellent resource for teaching and a vital contribution to our understanding of cinematic responses to neoliberalism." -Thomas Austin, University of Sussex, UK "Timely and eminently readable, Art Cinema and Neoliberalism reinvigorates debate on art cinema's relationship to politics. Lykidis's incisive analyses of contemporary international art films animate the centrality of debt, disenfranchisement, racism, and anti-democratic policies to the 21st century formation of political film aesthetics. This book forms a major contribution to the emerging body of scholarship on the cinemas of economic crisis." -Rosalind Galt, King's College London, UK Art Cinema and Neoliberalism surveys cinematic responses to neoliberalism across four continents. One of the first in-depth studies of its kind, this book provides an imaginative reassessment of art cinema in the new millennium by showing how the exigencies of contemporary capitalism are exerting pressure on art cinema conventions. Through a careful examination of neoliberal thought and practice, the book explores the wide-ranging effects of neoliberalism on various sectors of society and on the evolution of film language. Alex Lykidis evaluates the relevance of art cinema style to explanations of the neoliberal order and uses a case study approach to analyze the films of acclaimed directors such as Asghar Farhadi, Yorgos Lanthimos, and Lucrecia Martel in relation to the social, political, and cultural characteristics of neoliberalism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of today's film auteurs. Alex Lykidis is Associate Professor of Film Studies in the English Department at Montclair State University, USA.

ISBN: 9783030610067$q(electronic bk.)

Standard No.: 10.1007/978-3-030-61006-7doiSubjects--Topical Terms:

368506
Motion pictures
--Political aspects.

LC Class. No.: PN1995.9.P6 / L95 2020

Dewey Class. No.: 791.436581

Art cinema and neoliberalism
LDR:03808nmm a2200337 a 4500 001 593264
003 DE-He213
005 20210318190724.0
006 m d
007 cr nn 008maaau
008 210727s2020 sz s 0 eng d
020 $a 9783030610067$q(electronic bk.)
020 $a 9783030610050$q(paper)
024 7 $a 10.1007/978-3-030-61006-7 $2 doi
035 $a 978-3-030-61006-7
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.P6 $b L95 2020
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.436581 $2 23
090 $a PN1995.9.P6 $b L984 2020
100 1 $a Lykidis, Alex. $3 884574
245 1 0 $a Art cinema and neoliberalism $h [electronic resource] / $c by Alex Lykidis.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a xii, 264 p. : $b ill., digital ; $c 24 cm.
490 1 $a Global cinema, $x 2634-5951
505 0 $a 1. Introduction: Art Cinema and the Aesthetics of Crisis -- Part I. Costs of Neoliberalism -- 2. Poetics of Debt: Disruptive Realism in Bamako and The Headless Woman -- Part II Politics of Neoliberalism -- 3. Crisis of Sovereignty: Anti-psychologism in Alps, Attenberg,Chevalier and Dogtooth -- 4. Return of the Oppressed: Complex Identification in A Separation -- Part III. Cultures of Neoliberalism -- 5. Political Exclusion and Cultural Difference: Challenging Objectivity in The Class and The Secret of the Grain -- 6. Multiculturalism as Class Trauma: Antagonistic Authorship in Cache, Code Unknown, Happy End and Time of the Wolf -- 7. Afterword.
520 $a "This is an important, urgent study, pursued with energy and acuity. Well-grounded in both geopolitical contexts and critical theory, the book offers sharp and insightful analyses of art cinema from Mali, Argentina, Greece, Iran, and France. Always engaging and readable, this is an excellent resource for teaching and a vital contribution to our understanding of cinematic responses to neoliberalism." -Thomas Austin, University of Sussex, UK "Timely and eminently readable, Art Cinema and Neoliberalism reinvigorates debate on art cinema's relationship to politics. Lykidis's incisive analyses of contemporary international art films animate the centrality of debt, disenfranchisement, racism, and anti-democratic policies to the 21st century formation of political film aesthetics. This book forms a major contribution to the emerging body of scholarship on the cinemas of economic crisis." -Rosalind Galt, King's College London, UK Art Cinema and Neoliberalism surveys cinematic responses to neoliberalism across four continents. One of the first in-depth studies of its kind, this book provides an imaginative reassessment of art cinema in the new millennium by showing how the exigencies of contemporary capitalism are exerting pressure on art cinema conventions. Through a careful examination of neoliberal thought and practice, the book explores the wide-ranging effects of neoliberalism on various sectors of society and on the evolution of film language. Alex Lykidis evaluates the relevance of art cinema style to explanations of the neoliberal order and uses a case study approach to analyze the films of acclaimed directors such as Asghar Farhadi, Yorgos Lanthimos, and Lucrecia Martel in relation to the social, political, and cultural characteristics of neoliberalism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of today's film auteurs. Alex Lykidis is Associate Professor of Film Studies in the English Department at Montclair State University, USA.
650 0 $a Motion pictures $x Political aspects. $3 368506
650 0 $a Neoliberalism in motion pictures. $3 884575
650 0 $a Motion pictures $x History. $3 176200
650 1 4 $a Global Cinema and TV. $3 826586
650 2 4 $a Screen Studies. $3 823838
650 2 4 $a Media and Communication. $3 742407
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a Global cinema. $3 643998
856 4 0 $u https://doi.org/10.1007/978-3-030-61006-7
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)