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Memory and intermediality in artists...

Durcan, Sarah.

Memory and intermediality in artists' moving image

Record Type:	Electronic resources : Monograph/item
Title/Author:	Memory and intermediality in artists' moving imageby Sarah Durcan.
Author:	Durcan, Sarah.
Published:	Cham :Springer International Publishing :2021.
Description:	x, 250 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Memory in art.
Online resource:	https://doi.org/10.1007/978-3-030-47396-9
ISBN:	9783030473969$q(electronic bk.)

Memory and intermediality in artists' moving image
Durcan, Sarah.

Memory and intermediality in artists' moving image[electronic resource] /by Sarah Durcan. - Cham :Springer International Publishing :2021. - x, 250 p. :ill., digital ;24 cm. - Experimental film and artists' moving image,2523-7527. - Experimental film and artists' moving image..

Chapter One: Introduction: Memory and the Moving Image -- Chapter Two: Critical Nostalgia and the Centenary of Cinema -- Chapter Three: Database Narrative -- Chapter Four: The Echo-Chamber: Remembering Cinema -- Chapter Five: Mediatized Memories -- Afterword.

This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.

ISBN: 9783030473969$q(electronic bk.)

Standard No.: 10.1007/978-3-030-47396-9doiSubjects--Topical Terms:

462833
Memory in art.

LC Class. No.: NX650.M45 / D87 2021

Dewey Class. No.: 700.98

Memory and intermediality in artists' moving image
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505 0 $a Chapter One: Introduction: Memory and the Moving Image -- Chapter Two: Critical Nostalgia and the Centenary of Cinema -- Chapter Three: Database Narrative -- Chapter Four: The Echo-Chamber: Remembering Cinema -- Chapter Five: Mediatized Memories -- Afterword.
520 $a This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.
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