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The poetics of post-traumatic stress...
~
Filippaki, Iro.
The poetics of post-traumatic stress disorder in postmodern literature
Record Type:
Electronic resources : Monograph/item
Title/Author:
The poetics of post-traumatic stress disorder in postmodern literatureby Iro Filippaki.
Author:
Filippaki, Iro.
Published:
Cham :Springer International Publishing :2021.
Description:
xiv, 106 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
Subject:
Postmodernism (Literature)
Online resource:
https://doi.org/10.1007/978-3-030-67630-8
ISBN:
9783030676308$q(electronic bk.)
The poetics of post-traumatic stress disorder in postmodern literature
Filippaki, Iro.
The poetics of post-traumatic stress disorder in postmodern literature
[electronic resource] /by Iro Filippaki. - Cham :Springer International Publishing :2021. - xiv, 106 p. :ill., digital ;24 cm. - Palgrave studies in literature, science and medicine,2634-6435. - Palgrave studies in literature, science and medicine..
1. A Narrative History of Post-Traumatic Stress Disorder -- 2. Symptomatology and Modes of Emplotment: Paranoid Tropes -- 3. Beyond PTSD's Postmodern Aesthetics: Modes of Epic Recognition -- 4. Coda: Towards a Collective PTSD Narrative.
The Poetics of Post-Traumatic Stress Disorder in Postmodern Literature provides an interdisciplinary exploration in early medical trauma treatment and the emergent postmodern canon of the 1960s and 1970s. By identifying key postmodern literary tropes (paranoia, uncanniness, biomediation) as products of an overarching post-traumatic stress disorder (PTSD) narrative paradigm, this concise study reveals unexplored aspects of the canonical novels at hand-such as the link between individual and collective traumatization-highlights the presence of epic elements in postmodern narratives, and identifies the influence of emerging psychiatric treatment on the post-WWII novels at hand. Performing a medical humanities reading of Thomas Pynchon's Gravity's Rainbow (1973), Kurt Vonnegut's Slaughterhouse-5 (1969), and Joseph Heller's Catch-22 (1961), this book introduces a novel way of examining trauma at the intersection of narrative, history, and medicine and recalibrates the importance of postmodern politics of transformation, while making the case for an aesthetics of trauma. By examining the historico-political developments that dictated the formation of PTSD in the wake of the wars in Korea and Vietnam, this book argues that the perception of PTSD symptoms directly influenced aesthetic and literary tropes of the Cold War era.
ISBN: 9783030676308$q(electronic bk.)
Standard No.: 10.1007/978-3-030-67630-8doiSubjects--Personal Names:
443407
Heller, Joseph.
Catch-22--Examinations--Study guides.Subjects--Topical Terms:
175872
Postmodernism (Literature)
LC Class. No.: PN56.P914 / F555 2021
Dewey Class. No.: 813.54093561
The poetics of post-traumatic stress disorder in postmodern literature
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1. A Narrative History of Post-Traumatic Stress Disorder -- 2. Symptomatology and Modes of Emplotment: Paranoid Tropes -- 3. Beyond PTSD's Postmodern Aesthetics: Modes of Epic Recognition -- 4. Coda: Towards a Collective PTSD Narrative.
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The Poetics of Post-Traumatic Stress Disorder in Postmodern Literature provides an interdisciplinary exploration in early medical trauma treatment and the emergent postmodern canon of the 1960s and 1970s. By identifying key postmodern literary tropes (paranoia, uncanniness, biomediation) as products of an overarching post-traumatic stress disorder (PTSD) narrative paradigm, this concise study reveals unexplored aspects of the canonical novels at hand-such as the link between individual and collective traumatization-highlights the presence of epic elements in postmodern narratives, and identifies the influence of emerging psychiatric treatment on the post-WWII novels at hand. Performing a medical humanities reading of Thomas Pynchon's Gravity's Rainbow (1973), Kurt Vonnegut's Slaughterhouse-5 (1969), and Joseph Heller's Catch-22 (1961), this book introduces a novel way of examining trauma at the intersection of narrative, history, and medicine and recalibrates the importance of postmodern politics of transformation, while making the case for an aesthetics of trauma. By examining the historico-political developments that dictated the formation of PTSD in the wake of the wars in Korea and Vietnam, this book argues that the perception of PTSD symptoms directly influenced aesthetic and literary tropes of the Cold War era.
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based on 0 review(s)
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