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Perception, representations, image, ...
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Perception, representations, image, sound, music14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019 : revised selected papers /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Perception, representations, image, sound, musicedited by Richard Kronland-Martinet, Solvi Ystad, Mitsuko Aramaki.
Reminder of title:
14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019 : revised selected papers /
remainder title:
CMMR 2019
other author:
Kronland-Martinet, Richard.
corporate name:
Published:
Cham :Springer International Publishing :2021.
Description:
xvii, 726 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
Subject:
Computer musicCongresses.
Online resource:
https://doi.org/10.1007/978-3-030-70210-6
ISBN:
9783030702106$q(electronic bk.)
Perception, representations, image, sound, music14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019 : revised selected papers /
Perception, representations, image, sound, music
14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019 : revised selected papers /[electronic resource] :CMMR 2019edited by Richard Kronland-Martinet, Solvi Ystad, Mitsuko Aramaki. - Cham :Springer International Publishing :2021. - xvii, 726 p. :ill., digital ;24 cm. - Lecture notes in computer science,126310302-9743 ;. - Lecture notes in computer science ;4891..
Music Information Retrieval - Music, Emotion and Representation -- Computational Musicology -- Audio Signal Processing - Music Structure, Analysis, Synthesis and Composition Tools -- Notation and Instruments Distributed on Mobile Devices -- Auditory Perception and Cognition - From the Ear to the Body -- The Process of Sound Design -- Sonic Interaction for Immersive Media - Virtual and Augmented Reality -- Musical Interaction: Embodiment, Improvisation, Collaboration -- Jean-Claude Risset and Beyond.
This book constitutes the refereed proceedings of the 14th International Symposium on Perception, Representations, Image, Sound, Music, CMMR 2019, held in Marseille, France, in October 2019. The 46 full papers presented were selected from 105 submissions. The papers are grouped in 9 sections. The first three sections are related to music information retrieval, computational musicology and composition tools, followed by a section on notations and instruments distributed on mobile devices. The fifth section concerns auditory perception and cognition, while the three following sections are related to sound design and sonic and musical interactions. The last section contains contributions that relate to Jean-Claude Risset's research.
ISBN: 9783030702106$q(electronic bk.)
Standard No.: 10.1007/978-3-030-70210-6doiSubjects--Topical Terms:
443717
Computer music
--Congresses.
LC Class. No.: ML1380
Dewey Class. No.: 786.76
Perception, representations, image, sound, music14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019 : revised selected papers /
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14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019 : revised selected papers /
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edited by Richard Kronland-Martinet, Solvi Ystad, Mitsuko Aramaki.
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Music Information Retrieval - Music, Emotion and Representation -- Computational Musicology -- Audio Signal Processing - Music Structure, Analysis, Synthesis and Composition Tools -- Notation and Instruments Distributed on Mobile Devices -- Auditory Perception and Cognition - From the Ear to the Body -- The Process of Sound Design -- Sonic Interaction for Immersive Media - Virtual and Augmented Reality -- Musical Interaction: Embodiment, Improvisation, Collaboration -- Jean-Claude Risset and Beyond.
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This book constitutes the refereed proceedings of the 14th International Symposium on Perception, Representations, Image, Sound, Music, CMMR 2019, held in Marseille, France, in October 2019. The 46 full papers presented were selected from 105 submissions. The papers are grouped in 9 sections. The first three sections are related to music information retrieval, computational musicology and composition tools, followed by a section on notations and instruments distributed on mobile devices. The fifth section concerns auditory perception and cognition, while the three following sections are related to sound design and sonic and musical interactions. The last section contains contributions that relate to Jean-Claude Risset's research.
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based on 0 review(s)
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1圖書
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EB ML1380 .C649 2019 2021
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1 records • Pages 1 •
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https://doi.org/10.1007/978-3-030-70210-6
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