國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Reorienting Chinese stars in global ...

Lau, Dorothy Wai Sim.

Reorienting Chinese stars in global polyphonic networksvoice, ethnicity, power /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Reorienting Chinese stars in global polyphonic networksby Dorothy Wai Sim Lau.
其他題名:	voice, ethnicity, power /
作者:	Lau, Dorothy Wai Sim.
出版者:	Singapore :Springer Singapore :2021.
面頁冊數:	xv, 220 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Motion picture actors and actressesChina.
電子資源:	https://doi.org/10.1007/978-981-16-0313-6
ISBN:	9789811603136$q(electronic bk.)

Reorienting Chinese stars in global polyphonic networksvoice, ethnicity, power /
Lau, Dorothy Wai Sim.

Reorienting Chinese stars in global polyphonic networksvoice, ethnicity, power /[electronic resource] :by Dorothy Wai Sim Lau. - Singapore :Springer Singapore :2021. - xv, 220 p. :ill., digital ;24 cm.

Introduction: Laying out a Terrain of the Phone-based Star Discourse in Chinese Cinemas -- Part I: Anglophone Media Space -- Mediating Action and Speech: Michelle Yeoh's Inter-phonic Star Appeal in Pan-Pacific Connections -- The Exotic "Sound" of New China: Fan Bingbing and Liu Yifei in Hollywood Star Vehicles -- From "King of Mandopop" to the New Kato: Vocal Eccentricities, "Coolness," and the Crossover Image of Jay Chou -- Part II: Sinophone Cinematic Space -- Tang Wei: Lingual Versatility, On-/Off-screen Existence, and the Chinese-Korean Popular Imagination -- Modern Women, "Old" Shanghai: Maggie Cheung, Sammi Cheng, and Female Vocality in Two Stanley Kwan's Sinophone Films -- Bi-ethnicity, Multi-dialecticality: Takeshi Kaneshiro's Lingua-Crossing Public Persona -- Part III: Participatory Web Space -- "Mute Fighters": Dialectics of Corporeal Presence and Vocal Absence in Digital Fan Videos Featuring Bruce Lee and Donnie Yen -- When Geisha Meets Mulan: User-generated Revoicing, (Dis)embodiment and Cyber Star Discourse of Zhang Ziyi -- Conclusion: Reconsidering Chinese Film Stars -- Toward a Polyphonic Presence.

This monograph offers a cutting edge perspective on the study of Chinese film stars by advancing a "linguaphonic" model, moving away from a conceptualization of transnational Chinese stardom reliant on the centrality of either action or body. It encompasses a selection of individual personalities from the most iconic Bruce Lee, Michelle Yeoh, and Maggie Cheung to the not-yet-full-fledged Takeshi Kaneshiro, Jay Chou, and Tang Wei to the newest Fan Binging, Liu Yifei, Wen Ming-Na, and Sammi Cheng who are exemplary to the star-making practices in the designated sites of articulations. This volume notably pivots on specific phonic modalities - spoken forms of tongues, manners of enunciation, styles of vocalization -- as means to mine ethnic and ideological underpinnings of Chinese stardom. By indicating a methodological shift from the visual-based to aural-based vectors, it asserts the phonic as a legitimate bearing that can generate novel vigor in the reimagination of Chineseness. By exhausting the critical affordability of the phonic, this book unravels the polemics of visuality and aurality, body and voice, as well as onscreen personae and offscreen existence, remapping the contours of the ethnic fame-making in the global mediascape.

ISBN: 9789811603136$q(electronic bk.)

Standard No.: 10.1007/978-981-16-0313-6doiSubjects--Topical Terms:

893886
Motion picture actors and actresses
--China.

LC Class. No.: PN1993.5.C4 / L383 2021

Dewey Class. No.: 791.430951

Reorienting Chinese stars in global polyphonic networksvoice, ethnicity, power /
LDR:03426nmm a2200325 a 4500 001 599674
003 DE-He213
005 20210714152216.0
006 m d
007 cr nn 008maaau
008 211027s2021 si s 0 eng d
020 $a 9789811603136$q(electronic bk.)
020 $a 9789811603129$q(paper)
024 7 $a 10.1007/978-981-16-0313-6 $2 doi
035 $a 978-981-16-0313-6
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.C4 $b L383 2021
072 7 $a JFC $2 bicssc
072 7 $a SOC000000 $2 bisacsh
072 7 $a JBCC $2 thema
082 0 4 $a 791.430951 $2 23
090 $a PN1993.5.C4 $b L366 2021
100 1 $a Lau, Dorothy Wai Sim. $3 893885
245 1 0 $a Reorienting Chinese stars in global polyphonic networks $h [electronic resource] : $b voice, ethnicity, power / $c by Dorothy Wai Sim Lau.
260 $a Singapore : $b Springer Singapore : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a xv, 220 p. : $b ill., digital ; $c 24 cm.
505 0 $a Introduction: Laying out a Terrain of the Phone-based Star Discourse in Chinese Cinemas -- Part I: Anglophone Media Space -- Mediating Action and Speech: Michelle Yeoh's Inter-phonic Star Appeal in Pan-Pacific Connections -- The Exotic "Sound" of New China: Fan Bingbing and Liu Yifei in Hollywood Star Vehicles -- From "King of Mandopop" to the New Kato: Vocal Eccentricities, "Coolness," and the Crossover Image of Jay Chou -- Part II: Sinophone Cinematic Space -- Tang Wei: Lingual Versatility, On-/Off-screen Existence, and the Chinese-Korean Popular Imagination -- Modern Women, "Old" Shanghai: Maggie Cheung, Sammi Cheng, and Female Vocality in Two Stanley Kwan's Sinophone Films -- Bi-ethnicity, Multi-dialecticality: Takeshi Kaneshiro's Lingua-Crossing Public Persona -- Part III: Participatory Web Space -- "Mute Fighters": Dialectics of Corporeal Presence and Vocal Absence in Digital Fan Videos Featuring Bruce Lee and Donnie Yen -- When Geisha Meets Mulan: User-generated Revoicing, (Dis)embodiment and Cyber Star Discourse of Zhang Ziyi -- Conclusion: Reconsidering Chinese Film Stars -- Toward a Polyphonic Presence.
520 $a This monograph offers a cutting edge perspective on the study of Chinese film stars by advancing a "linguaphonic" model, moving away from a conceptualization of transnational Chinese stardom reliant on the centrality of either action or body. It encompasses a selection of individual personalities from the most iconic Bruce Lee, Michelle Yeoh, and Maggie Cheung to the not-yet-full-fledged Takeshi Kaneshiro, Jay Chou, and Tang Wei to the newest Fan Binging, Liu Yifei, Wen Ming-Na, and Sammi Cheng who are exemplary to the star-making practices in the designated sites of articulations. This volume notably pivots on specific phonic modalities - spoken forms of tongues, manners of enunciation, styles of vocalization -- as means to mine ethnic and ideological underpinnings of Chinese stardom. By indicating a methodological shift from the visual-based to aural-based vectors, it asserts the phonic as a legitimate bearing that can generate novel vigor in the reimagination of Chineseness. By exhausting the critical affordability of the phonic, this book unravels the polemics of visuality and aurality, body and voice, as well as onscreen personae and offscreen existence, remapping the contours of the ethnic fame-making in the global mediascape.
650 0 $a Motion picture actors and actresses $z China. $3 893886
650 0 $a Chinese in motion pictures. $3 635676
650 1 4 $a Asian Culture. $3 744825
650 2 4 $a Film Theory. $3 745014
650 2 4 $a Chinese. $3 274706
650 2 4 $a Asian Cinema and TV. $3 828552
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-981-16-0313-6
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)